That Time I Was Reincarnated as a Problematic Trope: Viewer Preferences and Cultural Trends in Reincarnation Isekai Anime

Date
2024-07-13
Authors
Guinibert, Matthew
Page, Jo
Supervisor
Item type
Journal Article
Degree name
Journal Title
Journal ISSN
Volume Title
Publisher
Intellect
Abstract

The genre of reincarnation isekai anime, wherein a protagonist dies in their original world only to be reborn in a fantastical one, has grown significantly in global appeal. Yet, this genre’s expansion also normalizes controversial themes such as mental health issues, sexual and violent content, and the sexualisation of virtual minors. This article employs a data-driven approach, analysing user-generated coding of themes and properties from English-speaking fan sites, to critically examine three emergent and interconnected dimensions: the success of series deemed ‘trashy’, the complexities surrounding sexual themes, and the rising appeal of the ‘zero-to-hero’ motif in a post-pandemic world. The findings reveal a paradoxical allure of ‘trashy’ but popular content, complex ethical dilemmas surrounding sexual themes, and an increased resonance of empowerment motifs resulting from the pandemic. These discoveries provoke renewed discussions on anime’s role in shaping and reflecting societal values and raise questions about regulatory challenges in a globalized media setting. The study confirms the need for more nuanced understandings of the genre’s growing global influence, particularly outside of Japan, and calls for continued research to delve deeper into its complexities.

Description
Keywords
1902 Film, Television and Digital Media , 2002 Cultural Studies , 2005 Literary Studies , 3605 Screen and digital media , 4702 Cultural studies , 4705 Literary studies
Source
Australasian Journal of Popular Culture, The, ISSN: 2045-5852 (Print); 2045-5860 (Online), Intellect, 13(1), 89-89. doi: 10.1386/ajpc_00089_1
Rights statement
© Guinibert, Matthew and Page, Jo, 2024]. The definitive, peer reviewed and edited version of this article is published in The Australasian Journal of Popular Culture, volume 13, issue 1, pages 89-105, 2024, DOI: https://doi.org/10.1386/ajpc_00089_1.