School of Communication Studies - Te Kura Whakapāho

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The School of Communication Studies is committed to innovative, critical and creative research that advances knowledge, serves the community, and develops future communication experts and skilled media practitioners. There is a dynamic interaction between communication theory and media practice across digital media, creative industries, film and television production advertising, radio, public relations, and journalism. The School is involved in research and development in areas of:
  • Journalism
  • Media and Communication
  • Media Performance
  • Multimodal Analysis
  • Online, Social and Digital Media
  • Asia-Pacific Media
  • Political Economy of Communication
  • Popular Culture
  • Public Relations
  • Radio

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Recent Submissions

Now showing 1 - 5 of 180
  • Item
    New Funding Models in Journalism Are Emerging, but Major Leap Forward Is Lacking
    (Cogitatio, 2024-01-23) Myllylahti, Merja; Meese, James
    This editorial introduces our thematic issue, titled Examining New Models in Journalism Funding, at a pivotal time. While news companies have attempted to build sustainable business models, we have not yet seen a major leap forward. As observed by the authors of this issue, digital reader revenue has become a prominent source of income for many publishers, but the bulk of them continue to rely on advertising and print subscriptions for money. Recently, Google and Facebook have become major funders of news and innovation in journalism. Some governments have also launched specific support programs. After providing some background context, we introduce the articles featured in the issue. We go on to argue that these articles signal a renewed interest in the business of journalism, which will help us better understand the ongoing financial crisis in the commercial news sector at a more granular level.
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    JMAD Aotearoa New Zealand Media Ownership Report 2023
    (AUT Research Centre for Journalism Media and Democracy, 2023-12-08) Baker, Sarah; Hoar, Peter; Hope, Wayne; McEwan, Rufus; Middleton, Atakohu; Te, Saing; Treadwell, Greg
  • Item
    Fight for the Wild: Emotion and Place in Conservation, Community Formation, and National Identity
    (Informa UK Limited, 2023-11-06) Craig, Geoffrey
    This study analyses the documentary series, Fight for the Wild, examining how emotional engagements with place facilitate a complex nexus of conservation practices, community formation, and feelings associated with national identity. The documentary charts the progress and challenges of the ‘Predator Free 2050’ campaign which seeks to eradicate Aotearoa New Zealand of all introduced predators and protect endangered native fauna and flora. The documentary portrays how the campaign in constituted through networks of scientists and conservation workers, community groups, and institutional and political leaders, spanning a diverse geographical spectrum from areas of wilderness to urban environments. The study argues the conservation work portrayed in the documentary, and indeed all environmental activity, derives from emotions generated by an individual’s experiential relationships with an environment. Such an argument declares that human assignations of environmental value originate from experiential engagements with an environment, and the accompanying emotional recognition of the affordances of that environment, and that cognitive, social, and representational engagements with environments follow such a process. The article’s significance derives from a demonstration of how this process of subject formation individually informs and connects the scientific processes of conservation work, local community engagement, and more broadly the invocation of a national identity.
  • Item
    The Power of Chaos: Exploring Magic, Gender, and Agency in Netflix’s The Witcher
    (Queensland University of Technology, 2023-10-03) Nairn, Angelique; Piatti-Farnell, Lorna
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    A Study on New Zealand Television: Professional Perspectives on Industry Sustainability
    (AUTSA, GRS and Tuwhera Open Access, 2023-10-25) Daniels, Rachel
    Fragmented by the plethora of internationalised television choices, audiences are now scattered across a multitude of programme options on a variety of global Subscription Video on Demand (SVoD) streaming platforms, broadcasters and television services. New Zealand audiences are predominantly choosing globalised services (Glasshouse Consulting, 2021). This research examines what the New Zealand television industry is doing to remain relevant and connected to its audiences. I seek to fill a gap in the current knowledge on the impact of international SVoD television services such as Netflix, Disney+, and Apple TV+ on the local industry as New Zealand domestic audiences appear to shift away from local services and storytelling. The research examines New Zealand television industry professional expert perspectives to identify and interpret the values, conflicts and challenges of protecting (while fostering the growth of) local culture through content, and the impact of public policy. Data has been collected via in-depth semi-structured interviews with industry experts. Open-ended questions have allowed for flexibility in the interview process, so that subjects can delve into their experiences, views and perspectives. The qualitative data has been analysed using thematic analysis, with patterns and themes that have emerged within the layers of data identified and discussed (Braun & Clarke, 2013; Braun et al., 2019). This presentation will address preliminary research findings which identify how the industry's need for economic sustainability has often compromised local productions and local cultural objectives, opening a debate on whether local stories are produced for local audiences or whether they should transcend national boundaries. The research reflects differing views on who should moderate and determine the cultural specificity of content, and where the sector should focus.
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