School of Communication Studies - Te Kura Whakapāho

Permanent link for this collection

The School of Communication Studies is committed to innovative, critical and creative research that advances knowledge, serves the community, and develops future communication experts and skilled media practitioners. There is a dynamic interaction between communication theory and media practice across digital media, creative industries, film and television production advertising, radio, public relations, and journalism. The School is involved in research and development in areas of:
  • Journalism
  • Media and Communication
  • Media Performance
  • Multimodal Analysis
  • Online, Social and Digital Media
  • Asia-Pacific Media
  • Political Economy of Communication
  • Popular Culture
  • Public Relations
  • Radio

Browse

Recent Submissions

Now showing 1 - 5 of 193
  • Item
    Public Money Well Spent? Unintended Consequences and Challenges Arising from Trans-Tasman Public Journalism Funds
    (Informa UK Limited, 2024-09-20) Myllylahti, Merja; Meese, James
    This paper identifies various issues associated with the increase in direct public funding of news media across Australasia. We conduct a comparative analysis of outcomes from two Trans-Tasman public interest journalism funds: the Public Interest Journalism Fund (PIJF) in New Zealand and the Public Interest News Gathering Fund in Australia (PING). By investigating the allocation of funding, the paper identifies risks and unintended consequences arising from the direct public funding of private media. It also raises issues that policymakers need to address when drafting media policies in the future as government support can lead to negative outcomes. While a substantial proportion of the public money of the two funds was aimed at retaining newsroom roles, redundancies and newsroom closures have continued, highlighting the limitations of these specific government interventions.
  • Item
    Research, Practice, Knowledge: Introducing the Creative Knowledges Enabling Framework
    (Taylor & Francis, 2024-08-06) Batty, Craig; Zalipour, Arezou
    Amongst a myriad of articles, chapters and books that argue for different ways to understand and conduct creative practice research – or as it is otherwise known, artistic research, arts-based research, practice-led research, practitioner-based research, and so on – this article goes to the heart of the affordances of creative practice research and offers what the authors believe is more generative model for this work, with more productive terminology. By focusing on a process of research enabling, as opposed to research being led by, based on or taken through practice (and vice versa), the article seeks clarity on the relationship between research questions, research design and methods; where a contribution to knowledge resides; how, accordingly, a research project might be written up; and who, indeed, creative practice researchers are. From our experience of undertaking, supervising and evaluatingcreative practice research, we have come to realise that some of the fundamental challenges of this work reside in a basic understanding of what, why, how and by whom. We believe that some of the definitions and models of creative practice research are a contributor to these challenges, hence a new model with alternative terminology to help untangle some of the intellectual complexities we have seen. The discussion uses screen practice as its disciplinary site, encompassing media/screen production and screenwriting.
  • Item
    That Time I Was Reincarnated as a Problematic Trope: Viewer Preferences and Cultural Trends in Reincarnation Isekai Anime
    (Intellect, 2024-07-13) Guinibert, Matthew; Page, Jo
    The genre of reincarnation isekai anime, wherein a protagonist dies in their original world only to be reborn in a fantastical one, has grown significantly in global appeal. Yet, this genre’s expansion also normalizes controversial themes such as mental health issues, sexual and violent content, and the sexualisation of virtual minors. This article employs a data-driven approach, analysing user-generated coding of themes and properties from English-speaking fan sites, to critically examine three emergent and interconnected dimensions: the success of series deemed ‘trashy’, the complexities surrounding sexual themes, and the rising appeal of the ‘zero-to-hero’ motif in a post-pandemic world. The findings reveal a paradoxical allure of ‘trashy’ but popular content, complex ethical dilemmas surrounding sexual themes, and an increased resonance of empowerment motifs resulting from the pandemic. These discoveries provoke renewed discussions on anime’s role in shaping and reflecting societal values and raise questions about regulatory challenges in a globalized media setting. The study confirms the need for more nuanced understandings of the genre’s growing global influence, particularly outside of Japan, and calls for continued research to delve deeper into its complexities.
  • Item
    Digital Eternity: The Holographic Resurrection of Music Icons
    (Intellect, 2024-07-10) Matthews, Justin; Nairn, Angelique
    Holographic reincarnations blend the allure of the past with the possibilities of modern technology, navigating through ethical quandaries and the redefinition of performance art. Central to this exploration is the fusion of memory and digital perpetuity, pushing the limits of what constitutes a live performance. The holographic rebirth of legends such as Elvis Presley, Amy Winehouse and Whitney Houston sparks debate over the ethics of posthumous consent, the authenticity of such representations and the implications of monetizing the afterlife of artists. This shift towards digital eternity prompts a critical assessment of the moral dimensions involved in resurrecting artists through technology. Exploring the history and development of holography, from historical illusions to contemporary artificial intelligence-enhanced presentations, reveals both the technological achievements and the ethical challenges presented by these endeavours. The drive behind these resurrective projects shines a light on a lucrative industry focused on ‘Delebs’, turning the legacies of deceased celebrities into profitable ventures. Yet the quest to immortalize artists digitally invites scrutiny over potential misuse, privacy breaches and the erosion of the true essence of their legacies. Addressing these complex issues demands a concerted effort from ethicists, legal scholars, technology experts and cultural commentators. The journey into this uncharted domain highlights the necessity of balancing innovation with respect, advocating for a principled approach to honouring those who have passed. The concept of confining artists to a ‘digital purgatory’, where they exist solely for entertainment devoid of self-determination, emphasizes the urgency of establishing ethical guidelines. This digital afterlife, fraught with the risk of diminishing the soul of artistic works to mere commercial assets, calls for a vigilant approach to safeguard the dignity and volition of artists in the realm of digital legacy.
  • Item
    An Examination of Factors Influencing Journalism Educators’ Perceptions on the Role and Future of News Reporting
    (Intellect, 2024-06-01) Hollings, James; Wake, Alexandra; Peter, Raja; Martin, Fiona R; Rupar, Verica
    This article explores how educational qualifications, age, gender and regional context affect journalism educators’ perceptions of journalism’s normative roles and the future needs of journalism students. It draws on Australian and New Zealand/Aotearoan responses to the 2021 World Journalism Education Council (WJEC) Survey Journalistic Roles, Values and Qualifications in the 21st Century: How Journalism Educators Across the Globe View the Future of a Profession in Transition. It shows that holding a Ph.D. diminishes support for traditional observer and disseminator roles and predicts support for the mobilizer role. Age also predicts role perception; it diminishes support for the disseminator and mobilizer roles for both the current position of journalists and journalists in the next ten years. These age and education effects are independent of each other. The findings point to the need for more detailed research on the effects of further education on journalism teachers’ professional conceptions and teaching strategy.
Items in these collections are protected by the Copyright Act 1994 (New Zealand). These works may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use:
  • Any use you make of these works must be for research or private study purposes only, and you may not make them available to any other person.
  • Authors control the copyright of their works. You will recognise the author’s right to be identified as the author of the work, and due acknowledgement will be made to the author where appropriate.
  • You will obtain the author’s permission before publishing any material from the work.