Reimagining Film International [Editorial]

aut.publication.place	UK
dc.contributor.author	Zalipour, Arezou
dc.date.accessioned	2026-04-23T22:48:20Z
dc.date.available	2026-04-23T22:48:20Z
dc.date.issued	2026-04-03
dc.identifier.citation	Film International, Volume 22, Issue 3-4, Dec 2024, p. 4 - 8. ISSN: 1651-6826 E-ISSN: 2040-3801
dc.identifier.doi	10.1386/fint_00272_2
dc.identifier.uri	http://hdl.handle.net/10292/20979
dc.publisher	Intellect
dc.relation.uri	https://intellectdiscover.com/content/journals/10.1386/fint_00272_2
dc.rights	This is the Author's Accepted Manuscript of an editorial published in Film International © 2024 Intellect Ltd. The published version is available at doi: 10.1386/fint_00272_2
dc.rights.accessrights	OpenAccess
dc.subject	3605 Screen and digital media
dc.subject	360505 Screen media
dc.subject	470214 Screen and media culture
dc.subject	390101 Creative arts, media and communication curriculum and pedagogy
dc.subject	440701 Communications and media policy
dc.subject	4701 Communication and media studies
dc.subject	47 Language, communication and culture
dc.subject	1902 Film, Television and Digital Media
dc.title	Reimagining Film International [Editorial]
dc.type	Journal Article
pubs.elements-id	758200