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Creative Expertise and Generative AI in Visual Design Practice

aut.relation.issue1
aut.relation.journalThe International Journal of Creative Media Research
aut.relation.volume13
dc.contributor.authorMatthews, Justin
dc.contributor.authorNairn, Angelique
dc.contributor.authorFastnedge, Daniel
dc.contributor.authorAsuncion, Angela
dc.contributor.authorGuinibert, Matthew
dc.contributor.authorNarayan, AD
dc.date.accessioned2026-03-17T23:06:32Z
dc.date.available2026-03-17T23:06:32Z
dc.date.issued2026-03-17
dc.description.abstractThis article examines how creative expertise is enacted when academics who are also experienced visual design practitioners work with generative AI (GenAI) to complete an industry-style creative brief. Responding to concerns that GenAI accelerates production while normalising derivative “AI slop,” we argue that these systems are powerful engines of variation but unreliable engines of meaning. As a result, expertise does not disappear; it becomes newly visible as practitioners repeatedly translate strategic intent into constraints the system can act on, then diagnose and repair the cultural, semantic, typographic, and compositional breakdowns that follow. Adopting a collective autoethnographic approach, five creative-academic participants (spanning graphic design, web design, advertising, and VFX) documented their GenAI-supported process while developing a fictional cereal brand based on the scientific term Nord Grain Zero. Over ten days, participants used multiple tools (e.g., Gemini, DALL·E, Firefly, Midjourney, Runway/Sora) and recorded think-aloud sessions, prompt logs, and artefacts, followed by an artefact-led group discussion. Reflexive thematic analysis identifies three dimensions of expert practice: inform (expert judgment anchors intent and prevents drift into generic or culturally incorrect shorthand), challenge (control is displaced into negotiation, encouraging “good enough” outcomes and workarounds), and extend (GenAI enables rapid parallel exploration and cross-model orchestration). We contribute the concept of stabilisation—the continuous labour of holding meaning steady across stochastic outputs—as a distinctive form of expert creative work in GenAI-era visual design.
dc.identifier.citationThe International Journal of Creative Media Research, ISSN: 2631-6773 (Print); 2631-6773 (Online), Bath Spa University, 13(1). doi: 10.24135/ijcmr.v13iApril.165
dc.identifier.doi10.24135/ijcmr.v13iApril.165
dc.identifier.issn2631-6773
dc.identifier.issn2631-6773
dc.identifier.urihttp://hdl.handle.net/10292/20784
dc.publisherBath Spa University
dc.relation.urihttps://ijcmr.online/2/article/view/165
dc.rightsCopyright (c) 2026 Justin Matthews, Angelique Nairn, Daniel Fastnedge, Angela Asuncion, Matthew Guinibert, AD Narayan. Creative Commons License. This work is licensed under a Creative Commons Attribution 4.0 International License.
dc.rights.accessrightsOpenAccess
dc.subject4602 Artificial intelligence
dc.subject470204 Cultural and creative industries
dc.subject3605 Screen and digital media
dc.subjectgenerative artificial intelligence
dc.subjectexpertise
dc.subjectcreativity
dc.subjectfriction
dc.subjectcollaboration
dc.subjectco-creativity
dc.titleCreative Expertise and Generative AI in Visual Design Practice
dc.typeJournal Article
pubs.elements-id756105

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