Sound and Vision in the Opening Titles of Māori-language Television News: A Multimodal Analysis of Cultural Hybridity
| aut.relation.issue | 1 | en_NZ |
| aut.relation.journal | Te Kaharoa | en_NZ |
| aut.relation.volume | 17 | en_NZ |
| aut.researcher | Middleton, Atakohu | |
| dc.contributor.author | Middleton, Atakohu | en_NZ |
| dc.date.accessioned | 2021-05-03T23:47:29Z | |
| dc.date.available | 2021-05-03T23:47:29Z | |
| dc.date.issued | 2021-04-22 | |
| dc.description.abstract | Māori are the indigenous people of Aotearoa New Zealand. British settlers arrived in the 19th century with their tradition of the newspaper, and this led to a thriving Māori-language press. Today, news in te reo Māori, the Māori language, is delivered by television, radio and the internet, harnessing the conventions of Anglo-American journalism to tell stories of indigenous preoccupations (Fox 2002). The cultural hybridity that results (Grixti 2011) is particularly marked in the opening titles of Māori-language news. The musical and visual tropes of news-show mythmaking that present the news as sites of power, truth and authority are married to representations of Māori identity and beliefs to speak to a necessarily bicultural audience (A. Middleton 2020). In this paper, a multimodal approach is employed (Bignell 2002; Machin 2010; van Leeuwen 2012), which uses frame-by-frame analysis of speech, scripts, images and music to reveal the semiosis or sign processes in play in the opening titles of the country’s top-rated English-language news bulletin, 1 News, and those of the two Māori-language television news bulletins, Te Karere and Te Kāea. Analysis reveals that 1 News titles employ the sign systems common to their counterparts across Anglophone countries in the way they promote themselves as credible, all-seeing authorities. While the titles of Māori-language news opening titles retain many of the same tropes and signposts in order to be understood as a news show, they also weave in cultural references deeply embedded in Māori language and culture to represent themselves as news by and for Māori rather than the dominant culture. | en_NZ |
| dc.identifier.citation | Te Kaharoa, 17(1). https://doi.org/10.24135/tekaharoa.v17i1.345 | |
| dc.identifier.doi | 10.24135/tekaharoa.v17i1.345 | en_NZ |
| dc.identifier.issn | 1178-6035 | en_NZ |
| dc.identifier.uri | https://hdl.handle.net/10292/14160 | |
| dc.publisher | Te Ara Poutama | Faculty of Maori and Indigenous Development, Auckland University of Technology | en_NZ |
| dc.relation.uri | https://www.tekaharoa.com/index.php/tekaharoa/article/view/345 | |
| dc.rights | Creative Commons (CC-BY-NC 4.0) | |
| dc.rights | Te Kaharoa provides open access to all of its content on the principle that making research freely available to the public supports a greater global exchange of knowledge. | |
| dc.rights.accessrights | OpenAccess | en_NZ |
| dc.rights.uri | https://creativecommons.org/licenses/by-nc/4.0/ | |
| dc.title | Sound and Vision in the Opening Titles of Māori-language Television News: A Multimodal Analysis of Cultural Hybridity | en_NZ |
| dc.type | Journal Article | |
| pubs.elements-id | 430074 | |
| pubs.organisational-data | /AUT | |
| pubs.organisational-data | /AUT/Faculty of Design & Creative Technologies | |
| pubs.organisational-data | /AUT/Faculty of Design & Creative Technologies/School of Communication Studies |
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