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Sound and Vision in the Opening Titles of Māori-language Television News: A Multimodal Analysis of Cultural Hybridity

aut.relation.issue1en_NZ
aut.relation.journalTe Kaharoaen_NZ
aut.relation.volume17en_NZ
aut.researcherMiddleton, Atakohu
dc.contributor.authorMiddleton, Atakohuen_NZ
dc.date.accessioned2021-05-03T23:47:29Z
dc.date.available2021-05-03T23:47:29Z
dc.date.issued2021-04-22
dc.description.abstractMāori are the indigenous people of Aotearoa New Zealand. British settlers arrived in the 19th century with their tradition of the newspaper, and this led to a thriving Māori-language press. Today, news in te reo Māori, the Māori language, is delivered by television, radio and the internet, harnessing the conventions of Anglo-American journalism to tell stories of indigenous preoccupations (Fox 2002). The cultural hybridity that results (Grixti 2011) is particularly marked in the opening titles of Māori-language news. The musical and visual tropes of news-show mythmaking that present the news as sites of power, truth and authority are married to representations of Māori identity and beliefs to speak to a necessarily bicultural audience (A. Middleton 2020). In this paper, a multimodal approach is employed (Bignell 2002; Machin 2010; van Leeuwen 2012), which uses frame-by-frame analysis of speech, scripts, images and music to reveal the semiosis or sign processes in play in the opening titles of the country’s top-rated English-language news bulletin, 1 News, and those of the two Māori-language television news bulletins, Te Karere and Te Kāea. Analysis reveals that 1 News titles employ the sign systems common to their counterparts across Anglophone countries in the way they promote themselves as credible, all-seeing authorities. While the titles of Māori-language news opening titles retain many of the same tropes and signposts in order to be understood as a news show, they also weave in cultural references deeply embedded in Māori language and culture to represent themselves as news by and for Māori rather than the dominant culture. en_NZ
dc.identifier.citationTe Kaharoa, 17(1). https://doi.org/10.24135/tekaharoa.v17i1.345
dc.identifier.doi10.24135/tekaharoa.v17i1.345en_NZ
dc.identifier.issn1178-6035en_NZ
dc.identifier.urihttps://hdl.handle.net/10292/14160
dc.publisherTe Ara Poutama | Faculty of Maori and Indigenous Development, Auckland University of Technologyen_NZ
dc.relation.urihttps://www.tekaharoa.com/index.php/tekaharoa/article/view/345
dc.rightsCreative Commons (CC-BY-NC 4.0)
dc.rightsTe Kaharoa provides open access to all of its content on the principle that making research freely available to the public supports a greater global exchange of knowledge.
dc.rights.accessrightsOpenAccessen_NZ
dc.rights.urihttps://creativecommons.org/licenses/by-nc/4.0/
dc.titleSound and Vision in the Opening Titles of Māori-language Television News: A Multimodal Analysis of Cultural Hybridityen_NZ
dc.typeJournal Article
pubs.elements-id430074
pubs.organisational-data/AUT
pubs.organisational-data/AUT/Faculty of Design & Creative Technologies
pubs.organisational-data/AUT/Faculty of Design & Creative Technologies/School of Communication Studies

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