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AI at the Greenlight: Negotiating Creative Agency in Early-stage Film Development

aut.relation.journalJournal of Media Practice
dc.contributor.authorZalipour, Arezou
dc.date.accessioned2026-03-03T01:39:06Z
dc.date.available2026-03-03T01:39:06Z
dc.date.issued2026-03-02
dc.description.abstractThe growing use of artificial intelligence (AI) in screenwriting and film development has intensified debates around creativity, authorship, and the role of algorithmic systems in creative processes. AI-driven analytics systems now evaluate screenplays to forecast box-office performance, model audience demographics, and inform casting choices. While scholarship on AI tools in the creative industries has expanded rapidly in recent years, studies focusing on the screen industries – particularly on AI-driven analytics systems used in screenplay evaluation – especially from a practice-led perspective, are still scarce. This study contributes to this area by presenting a practice-led case study that observed the use of a Swiss-based AI-driven analytics system in the development of a German – New Zealand feature film, Come Together. Drawing on academic literature, industry reports, and the author’s involvement in the script development of Come Together, this article discusses the ontological tensions between human creatives and algorithmic evaluation. By examining these tensions, the article develops three interconnected conceptual insights – creative flattening, risk of formulaic feedback, and blind spots – as a framework for understanding the negotiation of creative agency when algorithmic evaluation enters the early stages of film development.
dc.identifier.citationMedia Practice and Education, ISSN: 1468-2753 (Print); 1468-2753 (Online), Taylor & Francis.
dc.identifier.doi10.1080/25741136.2026.2633391
dc.identifier.issn1468-2753
dc.identifier.issn1468-2753
dc.identifier.urihttp://hdl.handle.net/10292/20714
dc.publisherTaylor & Francis
dc.relation.urihttps://www.tandfonline.com/doi/full/10.1080/25741136.2026.2633391
dc.rights© 2026 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group. This is an Open Access article distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives License (http://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not altered, transformed, or built upon in any way. The terms on which this article has been published allow the posting of the Accepted Manuscript in a repository by the author(s) or with their consent.
dc.rights.accessrightsOpenAccess
dc.subject3605 Screen and digital media
dc.subject360505 Screen media
dc.subject360201 Creative writing (incl. scriptwriting)
dc.subject4701 Communication and media studies
dc.subject470106 Media industry studies
dc.subject1505 Marketing
dc.subject1902 Film, Television and Digital Media
dc.subject2001 Communication and Media Studies
dc.subject3901 Curriculum and pedagogy
dc.subject4701 Communication and media studies
dc.subjectFilm
dc.subjectalgorithm
dc.subjectcreative agency
dc.subjectscript
dc.subjectcreative practice
dc.subjectAI
dc.titleAI at the Greenlight: Negotiating Creative Agency in Early-stage Film Development
dc.typeJournal Article
pubs.elements-id754938

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