Max White

aut.researcherWhite, Max
dc.contributor.authorWhite, M
dc.contributor.editorTaiaroa, T
dc.contributor.editorWilliams, T
dc.date.accessioned2011-12-01T00:01:56Z
dc.date.accessioned2011-12-01T00:02:39Z
dc.date.accessioned2011-12-01T00:03:12Z
dc.date.accessioned2011-12-01T00:03:39Z
dc.date.accessioned2011-12-01T00:04:39Z
dc.date.accessioned2011-12-01T00:05:44Z
dc.date.accessioned2011-12-01T00:06:00Z
dc.date.accessioned2011-12-01T00:06:30Z
dc.date.accessioned2011-12-01T00:06:52Z
dc.date.accessioned2011-12-01T00:07:14Z
dc.date.available2011-12-01T00:01:56Z
dc.date.available2011-12-01T00:02:39Z
dc.date.available2011-12-01T00:03:12Z
dc.date.available2011-12-01T00:03:39Z
dc.date.available2011-12-01T00:04:39Z
dc.date.available2011-12-01T00:05:44Z
dc.date.available2011-12-01T00:06:00Z
dc.date.available2011-12-01T00:06:30Z
dc.date.available2011-12-01T00:06:52Z
dc.date.available2011-12-01T00:07:14Z
dc.date.copyright2011-04
dc.date.issued2011-04
dc.description.abstractThis publication grew out of the exhibition "components of a special collection: a collaboration with the University of Auckland Fine Arts Library" at projectspace B431 from March 31 to April 09, 2011. The exhibition was formed from a desire, firstly to make the Library's collection of artists books available as a public display and secondly to identify themes in the collection and open them up to theoretical analysis. Rather than define the collection, the methodology of the project sought to unpack its possibilities. My written contribution to this catalogue (artist book) followed the authors' request for responses to five specific questions asked of every contributor.
dc.identifier.citationIn T. Williams and T. Taiaroa (Eds.), Components of a special collection: a collaboration with the University of Auckland Fine Arts Library, ch 13, pp. 16
dc.identifier.isbn978-0-9864620-1-6
dc.identifier.urihttps://hdl.handle.net/10292/2880
dc.publisherThe University of Auckland Fine Arts Library
dc.relation.replaceshttp://hdl.handle.net/10292/2871
dc.relation.replaces10292/2871
dc.relation.replaceshttp://hdl.handle.net/10292/2872
dc.relation.replaces10292/2872
dc.relation.replaceshttp://hdl.handle.net/10292/2873
dc.relation.replaces10292/2873
dc.relation.replaceshttp://hdl.handle.net/10292/2874
dc.relation.replaces10292/2874
dc.relation.replaceshttp://hdl.handle.net/10292/2875
dc.relation.replaces10292/2875
dc.relation.replaceshttp://hdl.handle.net/10292/2876
dc.relation.replaces10292/2876
dc.relation.replaceshttp://hdl.handle.net/10292/2877
dc.relation.replaces10292/2877
dc.relation.replaceshttp://hdl.handle.net/10292/2878
dc.relation.replaces10292/2878
dc.relation.replaceshttp://hdl.handle.net/10292/2879
dc.relation.replaces10292/2879
dc.relation.urihttp://www.creative.auckland.ac.nz/uoa/home/events/template/event_item.jsp?cid=369318
dc.rightsAuthors retain the right to place his/her publication version of the work on a personal website or institutional repository for non commercial purposes. The definitive version was published in (see Citation). The original publication is available at (see Publisher’s Version).
dc.rights.accessrightsOpenAccess
dc.subjectArtist book
dc.titleMax White
dc.typeChapter in Book
pubs.organisational-data/AUT
pubs.organisational-data/AUT/Design & Creative Technologies
pubs.organisational-data/AUT/Design & Creative Technologies/School of Arts & Design
pubs.organisational-data/AUT/PBRF Researchers
pubs.organisational-data/AUT/PBRF Researchers/Design & Creative Technologies PBRF Researchers
pubs.organisational-data/AUT/PBRF Researchers/Design & Creative Technologies PBRF Researchers/DCT A & D Other
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