The visible and invisible in making: reflecting on a personal practice
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Faculty of Design and Creative Technologies, Auckland University of Technology
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In this paper I reflect upon the nature of making within my own practice, with specific reference to intrapersonal conversations (Bolt) and those with materials. The nature of flow as suggested by Csikszentmihalyi, in the process, when presencing (Heidegger) a concrete artefact into bronze via material thinking is discussed. Some reference is made to cultural overlays (personal and external) that sit within the evolving of a work, and the legacy of which inhabits it (Margetts), long after making has ceased.Description
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Studies in Material Thinking, vol.09
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All rights reserved. Apart from fair dealing for the purposes of study, research, criticism or review, as permitted under the applicable copyright legislation, no part of this work may be reproduced by any process without written permission from the publisher or author. For permissions and other inquiries, please contact the Editor at <materialthinking@aut.ac.nz>