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dc.contributor.authorRutherford, Aen_NZ
dc.contributor.authorBaker, Sen_NZ
dc.date.accessioned2021-11-24T02:07:41Z
dc.date.available2021-11-24T02:07:41Z
dc.date.copyright2021-10-15en_NZ
dc.identifier.citationActa Universitatis Sapientiae, Film and Media Studies,20(1) 111-128. https://doi.org/10.2478/ausfm-2021-0017
dc.identifier.issn2065-5924en_NZ
dc.identifier.issn2066-7779en_NZ
dc.identifier.urihttp://hdl.handle.net/10292/14718
dc.description.abstractQuality television at its heart is designed to reward sustained viewing and involvement on the part of the audience. It has distinctive visual styles, serial characters and storylines and a filmic quality, all of which is evident in Game of Thrones (2011–2019). This article discusses how the scale and cinematic production values of quality television, adds value to the Game of Thrones series through the enhancement and articulation of the Gothic horror.en_NZ
dc.publisherSapientia Hungarian University of Transylvania, Scientia Publishing Houseen_NZ
dc.relation.urihttps://www.sciendo.com/article/10.2478/ausfm-2021-0017
dc.rights© 2021 Amanda Rutherford et al., published by Sciendo This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.
dc.subjectGothic horror; Fantasy; Quality television; Violence
dc.titleGame of Thrones as a Gothic Horror in Quality Televisionen_NZ
dc.typeJournal Article
dc.rights.accessrightsOpenAccessen_NZ
dc.identifier.doi10.2478/ausfm-2021-0017
aut.relation.articlenumber7en_NZ
aut.relation.endpage128
aut.relation.pages17
aut.relation.startpage111
aut.relation.volume20en_NZ
pubs.elements-id397139
aut.relation.journalActa Universitatis Sapientiae : Film and Media Studiesen_NZ


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