Post screen not displayed
| aut.relation.endpage | 190 | |
| aut.relation.pages | 12 | |
| aut.relation.startpage | 178 | |
| aut.researcher | Charlton, James | |
| dc.contributor.author | Charlton, J | |
| dc.contributor.editor | Ferreia, H | |
| dc.contributor.editor | Vicente, A | |
| dc.date.accessioned | 2015-02-05T00:46:50Z | |
| dc.date.available | 2015-02-05T00:46:50Z | |
| dc.date.copyright | 2014-11-28 | |
| dc.date.issued | 2014-11-28 | |
| dc.description.abstract | It seems that we are always waiting for screens. But what are we really waiting for? Treating the screen as an object of sculptural concern, this paper attempts to understand how inherent event-relationships might escape digital/analogue dualisms of the screen. Drawing on Graham Harman’s constructs of things-in-themselves and Tristan Garcia’s notions of compactness and intensity, the ‘nonsense’ of the indexical image is explored through discussion of the author’s recent sculptural projects that challenge correlational assumptions about presence and the necessity of waiting for it (Harman, 2011; Garcia, 2014). | |
| dc.identifier.citation | Post Screen Festival held at CIEBA-FBAUL, Lisbon, 2014-11-28 to 2014-11-29, published in: Post Screen Festival, pp.178 - 190 (12). | |
| dc.identifier.isbn | 978 989 8771 10 0 | |
| dc.identifier.uri | https://hdl.handle.net/10292/8382 | |
| dc.publisher | Edicao | |
| dc.relation.uri | http://postscreen.fba.ul.pt/#/program/exhibition | |
| dc.rights | Authors retain the right to place his/her publication version of the work on a personal website or institutional repository for non commercial purposes. The definitive version was published in (see Citation). The original publication is available at (see Publisher’s Version). | |
| dc.rights.accessrights | OpenAccess | |
| dc.title | Post screen not displayed | |
| dc.type | Conference Contribution | |
| pubs.elements-id | 175113 | |
| pubs.organisational-data | /AUT | |
| pubs.organisational-data | /AUT/Design & Creative Technologies |