Minority Languages and Documentary Media: Representation, Translation and Power [Editorial]
| aut.relation.endpage | 9 | |
| aut.relation.issue | 2 | |
| aut.relation.startpage | 1 | |
| aut.relation.volume | 25 | |
| dc.contributor.author | Sills-Jones, Dafydd | |
| dc.contributor.author | Jones, Elin Haf Gruffudd | |
| dc.date.accessioned | 2026-07-14T01:59:53Z | |
| dc.date.issued | 2026-07-06 | |
| dc.description.abstract | [From first paragraph] The relationship between documentary media and minority languages is both politically significant and ethically complex. Documentary has long occupied a distinctive position within public culture as a form associated with testimony, representation, and the mediation of lived realities. Yet language within documentary is never neutral. The inclusion, exclusion, translation, or framing of language – and of languages – shapes not only how audiences understand a film, but also how communities, identities, and cultural authority are represented on screen. | |
| dc.identifier.citation | Journal on Ethnopolitics and Minority Issues in Europe, 25(2), 1-9. | |
| dc.identifier.doi | 10.53779/daed0906 | |
| dc.identifier.issn | 1617-5247 | |
| dc.identifier.issn | 1617-5247 | |
| dc.identifier.uri | http://hdl.handle.net/10292/21583 | |
| dc.publisher | European Centre for Minority Issues | |
| dc.relation.uri | https://www.ecmi.de/JEMIE/index.php/journal/article/view/265 | |
| dc.rights | CC-BY Creative Commons Attribution | |
| dc.rights | © 2026 Dafydd Sills-Jones, Elin Haf Gruffudd Jones | |
| dc.rights.accessrights | OpenAccess | |
| dc.rights.uri | https://creativecommons.org/licenses/by/4.0/ | |
| dc.title | Minority Languages and Documentary Media: Representation, Translation and Power [Editorial] | |
| dc.type | Journal Article | |
| pubs.elements-id | 766776 |
