Mourning Songs / Canções de Luto
| aut.relation.endpage | 121 | |
| aut.relation.issue | 2 | |
| aut.relation.journal | DAT Journal | |
| aut.relation.startpage | 72 | |
| aut.relation.volume | 3 | |
| dc.contributor.author | O’Hara, Emily | |
| dc.contributor.author | O’Connor, Maria | |
| dc.date.accessioned | 2025-03-18T19:35:00Z | |
| dc.date.available | 2025-03-18T19:35:00Z | |
| dc.date.issued | 2018-11-16 | |
| dc.description.abstract | This project takes life-processes of mourning as underpinnings for its practice-led expression: Our article is structured over two interleaving grounds. The first, a site of intimacy expressed through a spatial practice of performance-installation, draws out methods of ‘site-writing’ (Jane Rendell) in relation to personal mourning. The second reaches deeper into an urban-collective ground of historic materialism (Walter Benjamin), working with specific sites this practice has ‘occupied’ or ‘site-written’. The thesis questions how personal-minor histories of mourning offer a significant contribution to urban sites, the public and associated fields of urban history, historic architecture and planning. It seeks to mine urban discourses through a site-specific practice set between urban design and performance-installation. It invites urban-otherness that extends perceived borders of the urban, folding its geological edges into telluric thresholds. This article touches on an original PhD practice-led contribution, in setting its discussion across scenes of personal mourning and urban remembrance. | |
| dc.identifier.citation | DAT Journal, ISSN: 2526-1789 (Print); 2526-1789 (Online), Universidade Anhembi Morumbi, 3(2), 72-121. doi: 10.29147/dat.v3i2.87 | |
| dc.identifier.doi | 10.29147/dat.v3i2.87 | |
| dc.identifier.issn | 2526-1789 | |
| dc.identifier.issn | 2526-1789 | |
| dc.identifier.uri | http://hdl.handle.net/10292/18876 | |
| dc.publisher | Universidade Anhembi Morumbi | |
| dc.relation.uri | https://datjournal.anhembi.br/dat/article/view/87 | |
| dc.rights | DATJournal offers immediate free access to its content, following the principles of the Budapest Open Access Initiative, understanding that making the scientific knowledge available to the public free of charge leads to greater worldwide democratization of knowledge. By submitting their articles, the authors fully assign the copyright to the Anhembi Morumbi University and grant DATJournal the right first to publish the revised version of the article licensed under the Creative Commons CC BY 4.0 International License, (https://creativecommons.org/licenses/by/4.0/) which allows the sharing of the text with acknowledgment of authorship and initial publication in this journal, including for commercial purposes. The concepts and opinions expressed in the signed articles are the sole responsibility of their authors. | |
| dc.rights.accessrights | OpenAccess | |
| dc.rights.uri | https://creativecommons.org/licenses/by/4.0/ | |
| dc.subject | Urban everyday | |
| dc.subject | Site-writing | |
| dc.subject | Ruins | |
| dc.subject | Performance-installation | |
| dc.subject | Mourning | |
| dc.title | Mourning Songs / Canções de Luto | |
| dc.type | Journal Article | |
| pubs.elements-id | 485822 |
Files
Original bundle
1 - 1 of 1
Loading...
- Name:
- 87-Article text-254-208-10-20190612.pdf
- Size:
- 7.78 MB
- Format:
- Adobe Portable Document Format
- Description:
- Journal article
