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Mourning Songs / Canções de Luto

aut.relation.endpage121
aut.relation.issue2
aut.relation.journalDAT Journal
aut.relation.startpage72
aut.relation.volume3
dc.contributor.authorO’Hara, Emily
dc.contributor.authorO’Connor, Maria
dc.date.accessioned2025-03-18T19:35:00Z
dc.date.available2025-03-18T19:35:00Z
dc.date.issued2018-11-16
dc.description.abstractThis project takes life-processes of mourning as underpinnings for its practice-led expression: Our article is structured over two interleaving grounds. The first, a site of intimacy expressed through a spatial practice of performance-installation, draws out methods of ‘site-writing’ (Jane Rendell) in relation to personal mourning. The second reaches deeper into an urban-collective ground of historic materialism (Walter Benjamin), working with specific sites this practice has ‘occupied’ or ‘site-written’. The thesis questions how personal-minor histories of mourning offer a significant contribution to urban sites, the public and associated fields of urban history, historic architecture and planning. It seeks to mine urban discourses through a site-specific practice set between urban design and performance-installation. It invites urban-otherness that extends perceived borders of the urban, folding its geological edges into telluric thresholds. This article touches on an original PhD practice-led contribution, in setting its discussion across scenes of personal mourning and urban remembrance.
dc.identifier.citationDAT Journal, ISSN: 2526-1789 (Print); 2526-1789 (Online), Universidade Anhembi Morumbi, 3(2), 72-121. doi: 10.29147/dat.v3i2.87
dc.identifier.doi10.29147/dat.v3i2.87
dc.identifier.issn2526-1789
dc.identifier.issn2526-1789
dc.identifier.urihttp://hdl.handle.net/10292/18876
dc.publisherUniversidade Anhembi Morumbi
dc.relation.urihttps://datjournal.anhembi.br/dat/article/view/87
dc.rightsDATJournal offers immediate free access to its content, following the principles of the Budapest Open Access Initiative, understanding that making the scientific knowledge available to the public free of charge leads to greater worldwide democratization of knowledge. By submitting their articles, the authors fully assign the copyright to the Anhembi Morumbi University and grant DATJournal the right first to publish the revised version of the article licensed under the Creative Commons CC BY 4.0 International License, (https://creativecommons.org/licenses/by/4.0/) which allows the sharing of the text with acknowledgment of authorship and initial publication in this journal, including for commercial purposes. The concepts and opinions expressed in the signed articles are the sole responsibility of their authors.
dc.rights.accessrightsOpenAccess
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/
dc.subjectUrban everyday
dc.subjectSite-writing
dc.subjectRuins
dc.subjectPerformance-installation
dc.subjectMourning
dc.titleMourning Songs / Canções de Luto
dc.typeJournal Article
pubs.elements-id485822

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