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dc.contributor.authorHare, Richard Paul
dc.date.accessioned2018-02-14T23:34:55Z
dc.date.available2018-02-14T23:34:55Z
dc.date.copyright2003
dc.identifier.urihttp://hdl.handle.net/10292/11263
dc.description.abstractThis project involves an exploration within Art and Craft debate focusing on five issues of space, structure, production, collection and installation. A practical component is used to contextualise a ceramics craft practice within an art discourse. This takes the form of an installation, whose discourse references the collection, and the nature of space and structure within Art and Craft production. Accompanying this is an exegesis whose method will be to take a comparative approach between phenomenology and critical theory. Phenomenology acts as a catalyst to enable critical examination of the key points of the five issues, and several relevant artists are referenced.en_NZ
dc.language.isoenen_NZ
dc.publisherAuckland University of Technology
dc.subjectArt installationsen_NZ
dc.subjectArten_NZ
dc.subjectArt philosophyen_NZ
dc.subjectCeramicsen_NZ
dc.subjectFurnitureen_NZ
dc.titleCraft art practiceen_NZ
dc.typeExegesisen_NZ
thesis.degree.grantorAuckland University of Technology
thesis.degree.nameMaster of Arts (Art and Design)en_NZ
dc.rights.accessrightsOpenAccess


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