Craft Art Practice
| aut.embargo | No | en_NZ |
| dc.contributor.author | Hare, Richard Paul | |
| dc.date.accessioned | 2018-02-14T23:34:55Z | |
| dc.date.available | 2018-02-14T23:34:55Z | |
| dc.date.copyright | 2003 | |
| dc.date.issued | 2003 | |
| dc.description.abstract | This project involves an exploration within Art and Craft debate focusing on five issues of space, structure, production, collection and installation. A practical component is used to contextualise a ceramics craft practice within an art discourse. This takes the form of an installation, whose discourse references the collection, and the nature of space and structure within Art and Craft production. Accompanying this is an exegesis whose method will be to take a comparative approach between phenomenology and critical theory. Phenomenology acts as a catalyst to enable critical examination of the key points of the five issues, and several relevant artists are referenced. | en_NZ |
| dc.identifier.uri | https://hdl.handle.net/10292/11263 | |
| dc.language.iso | en | en_NZ |
| dc.publisher | Auckland University of Technology | |
| dc.rights.accessrights | OpenAccess | |
| dc.subject | Art installations | en_NZ |
| dc.subject | Art | en_NZ |
| dc.subject | Art philosophy | en_NZ |
| dc.subject | Ceramics | en_NZ |
| dc.subject | Furniture | en_NZ |
| dc.title | Craft Art Practice | en_NZ |
| dc.type | Exegesis | en_NZ |
| thesis.degree.grantor | Auckland University of Technology | |
| thesis.degree.name | Master of Arts (Art and Design) | en_NZ |