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Reflections on Lal Batti

aut.embargoNoen
dc.contributor.advisorIngs, Welby
dc.contributor.advisorStewart, Yvonne
dc.contributor.authorKumar, Chander
dc.date.accessioned2008-07-28T01:39:10Z
dc.date.available2008-07-28T01:39:10Z
dc.date.copyright2008
dc.date.issued2008
dc.description.abstractThis project draws on aspects of research into the plight of women prostitutes working in Lal Batti areas of India. The project considers historical, contemporary and personal texts that form the basis of a creative synthesis. This synthesis is manifest in the design of five fabric-based artworks that seek to interpret issues of manipulation, entrapment, belonging, spirituality and demise. The project is located beyond the boundaries of fashion design. However, it involves an artistic fusion of garment construction, fabric and surface treatment. In doing this, the thesis seeks to give ‘voice’ to a political commentary that reaches beyond commercial uses of garments for display and protection.
dc.identifier.urihttps://hdl.handle.net/10292/384
dc.language.isoenen_US
dc.publisherAuckland University of Technology
dc.rights.accessrightsOpenAccess
dc.subjectFashion and visual art
dc.subjectIndian sex workers
dc.subjectClothing construction
dc.subjectRed light district
dc.subjectHeuristic methodology
dc.titleReflections on Lal Batti
dc.typeThesis
thesis.degree.grantorAuckland University of Technology
thesis.degree.levelMasters Theses
thesis.degree.nameMaster of Art and Design

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