aut.embargo	No	en
aut.thirdpc.contains	No
aut.thirdpc.permission	No
aut.thirdpc.removed	No
dc.contributor.advisor	Redmond, Monique
dc.contributor.advisor	de Freitas, Nancy
dc.contributor.author	Latimer, Christine
dc.date.accessioned	2009-01-15T04:04:55Z
dc.date.available	2009-01-15T04:04:55Z
dc.date.copyright	2008
dc.date.issued	2008
dc.description.abstract	This thesis explores the idea of a liminal space, as being dreamlike, suspended in time and physically unlocatable. It questions and exploits the boundary between abstraction and figuration in painting. This investigation has been considered from a subjective viewpoint allowing a distancing of space to illuminate new perceptions and experiences through the language of painting. The project has sought to explore the relationship between the natural world and seeing, to deepen and emphasize the other worldliness of an in-between space. This third space has been evoked by a process of abstracting pictorial content, juxtaposition of elements, colour and composition. The thesis is constituted of practice-based 80%, accompanied by an exegesis 20%.
dc.identifier.uri	https://hdl.handle.net/10292/456
dc.language.iso	en	en_US
dc.publisher	Auckland University of Technology
dc.rights.accessrights	OpenAccess
dc.subject	Elusivity of the liminal
dc.subject	Aspects of the impression
dc.subject	Discordant colour
dc.subject	The in-between
dc.subject	Sensed via glimpses
dc.subject	Imagined sites
dc.title	The invisible view: Betwixt and between
dc.type	Thesis
thesis.degree.grantor	Auckland University of Technology
thesis.degree.level	Masters Theses
thesis.degree.name	Master of Art and Design

The invisible view: Betwixt and between

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