The Recording Studio: Based on Biophilic Design and Multi-Sensory Architecture

Abstract

This thesis investigates how biophilic design and multi-sensory architecture can inform the design of a music recording studio. The research examines how natural systems and sensory engagement can be integrated with professional acoustic requirements to support human health, user well-being, and creative practice. Utilising theories from environmental psychology, phenomenology, regenerative architecture, and acoustic ecology, the thesis establishes a theoretical and design-led framework for the reinvention of conventional recording studio typologies. The project engages with the cultural–ecological context of Aotearoa through mātauranga Māori and Te Aranga design principles, thereby grounding the studio in place. It argues that a regenerative, multi-sensory approach can transform the recording studio from a sealed technical container into an experiential environment that enhances creativity, reduces stress, and supports environmental performance.