The multiplicity of “I”
aut.embargo | No | en_NZ |
aut.thirdpc.contains | No | en_NZ |
aut.thirdpc.permission | No | en_NZ |
aut.thirdpc.removed | No | en_NZ |
dc.contributor.advisor | Johnson, Mike | |
dc.contributor.author | Tovic, Irena | |
dc.date.accessioned | 2012-10-01T00:34:05Z | |
dc.date.available | 2012-10-01T00:34:05Z | |
dc.date.copyright | 2012 | |
dc.date.created | 2012 | |
dc.date.issued | 2012 | |
dc.date.updated | 2012-10-01T00:29:47Z | |
dc.description.abstract | The Rain of the Praying Mantis is an exploration, a journey, into the life of Kataryna who returns to a place which she loves and cherishes, her childhood ‘home’. Milan Kundera states that “[a] novel is a long piece of synthetic prose based on play with invented characters...Ironic essay, novelistic narrative, autobiographical fragment, historic fact, flight of fantasy: The synthetic power of the novel is capable of combining everything into a unified whole like the voices of polyphonic music.” (232) The Rain of the Praying Mantis is fragmented. It consists of pieces from the past, the present day-to-day occurrences, fairytales and the protagonist’s personal reflections. What keeps the fragments all in tune is the common exploration of the meaning of home, belonging, life and identity; all of which are complex and often contradictory notions. [Note: the novel, The Rain of the Praying Mantis, is embargoed until 31 May 2015] | en_NZ |
dc.identifier.uri | https://hdl.handle.net/10292/4617 | |
dc.language.iso | en | en_NZ |
dc.publisher | Auckland University of Technology | |
dc.rights.accessrights | OpenAccess | |
dc.subject | Synthetic prose | en_NZ |
dc.subject | Protagonist’s personal reflections | en_NZ |
dc.title | The multiplicity of “I” | en_NZ |
dc.type | Thesis | |
thesis.degree.discipline | ||
thesis.degree.grantor | Auckland University of Technology | |
thesis.degree.level | Masters Theses | |
thesis.degree.name | Master of Creative Writing | en_NZ |
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