Being and thing become space[s]

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aut.embargoNoen_NZ
aut.thirdpc.containsNoen_NZ
aut.thirdpc.permissionNoen_NZ
aut.thirdpc.removedNoen_NZ
dc.contributor.advisorCharlton, James
dc.contributor.advisorNewall, Kim
dc.contributor.authorKim, June
dc.date.accessioned2015-11-30T02:40:08Z
dc.date.available2015-11-30T02:40:08Z
dc.date.copyright2015
dc.date.created2015
dc.date.issued2015
dc.date.updated2015-11-27T00:13:33Z
dc.description.abstractThis research explores notions of embodiment and aesthetics of interaction within the context of the construction of meaning for interactive art. While investigating notions of the construction of meaning, this research draws attention to audience engagement with an interactive art installation during the interactive process. An interactive artefact ‘Indeed’ is a process that embraces my reflections of theoretical frameworks based on personal views and studies in engaging and experimenting selected technologies in relation to creating interactivity.en_NZ
dc.identifier.urihttps://hdl.handle.net/10292/9288
dc.language.isoenen_NZ
dc.publisherAuckland University of Technology
dc.rights.accessrightsOpenAccess
dc.subjectInteractive installationen_NZ
dc.subjectInteractingen_NZ
dc.subjectMirroringen_NZ
dc.subjectReflectingen_NZ
dc.subjectEmbodimenten_NZ
dc.subjectKinecten_NZ
dc.subjectBreathen_NZ
dc.subjectSensoren_NZ
dc.titleBeing and thing become space[s]en_NZ
dc.typeExegesis
thesis.degree.discipline
thesis.degree.grantorAuckland University of Technology
thesis.degree.grantorAuckland University of Technology
thesis.degree.levelMasters Theses
thesis.degree.nameMaster of Creative Technologiesen_NZ
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