Creating a workflow for integrating live-action and CG in low-cost stereoscopic film production
| aut.embargo | No | en |
| aut.thirdpc.contains | Yes | |
| aut.thirdpc.permission | No | |
| aut.thirdpc.removed | Yes | |
| dc.contributor.advisor | Bennett, Gregory | |
| dc.contributor.advisor | Walker, Charles | |
| dc.contributor.author | Kala, Abhishek | |
| dc.date.accessioned | 2011-07-06T03:11:37Z | |
| dc.date.available | 2011-07-06T03:11:37Z | |
| dc.date.copyright | 2010 | |
| dc.date.issued | 2010 | |
| dc.date.updated | 2011-07-05T22:33:19Z | |
| dc.description.abstract | This thesis proposes a workflow that can be effectively used to integrate CG elements into live-action stereoscopic footage, while ensuring a comfortable viewing experience for the viewer. In stereoscopic 3-D footage, each eye is presented with a slightly different image of the same scene in order to create the perception of depth. The key question explored in this research is: how do stereoscopic images affect the integration workflow of CG elements into live-action stereoscopic 3-D footage? Stereoscopic 3-D has been around since the 1800’s with the first public viewing of a stereoscopic film occurring in 1922. The recent surge in visual effects intensive stereoscopic 3-D films is attributed to advancements in digital acquisition, digital post-production and digital projection of stereoscopic films. Studios across the world are using and testing different techniques to solve problems in the visual effects film industry; currently it is a very active area of research and experimentation. The motivation for this project came from the fact that there is no documentation available for a visual effects workflow that can be effectively used by studios and visual effects artists when transitioning into stereoscopic film production. This project will provide them with a workflow that they can use to integrate CG elements into live stereoscopic footage. | |
| dc.identifier.uri | https://hdl.handle.net/10292/1389 | |
| dc.language.iso | en | en_NZ |
| dc.publisher | Auckland University of Technology | |
| dc.rights.accessrights | OpenAccess | |
| dc.subject | Stereoscopic | |
| dc.subject | Stereo | |
| dc.title | Creating a workflow for integrating live-action and CG in low-cost stereoscopic film production | |
| dc.type | Thesis | |
| thesis.degree.grantor | Auckland University of Technology | |
| thesis.degree.level | Masters Theses | |
| thesis.degree.name | Master of Creative Technologies |