Collision, Confusion, Collusion

aut.embargoNoen_NZ
aut.thirdpc.containsNoen_NZ
aut.thirdpc.permissionNoen_NZ
aut.thirdpc.removedNoen_NZ
dc.contributor.advisorJervis, Ian
dc.contributor.advisorThomson, Andy
dc.contributor.advisorMcIntyre, Simon
dc.contributor.authorJung, Vivienne
dc.date.accessioned2017-01-30T23:05:10Z
dc.date.available2017-01-30T23:05:10Z
dc.date.copyright2016
dc.date.created2017
dc.date.issued2016
dc.date.updated2017-01-27T10:51:29Z
dc.description.abstractThis project explores the idea of virtuous difficulty, as it relates to the making, the creating and the reception of a work of art. Here the word difficulty refers to questions, problems or conditions that command my attention as the artist, and which demand attention from the spectator, that require us to do the work of the work of art. What matters is the difficulty itself as it persists in generating questions that, while they may remain unsolved or even unsolvable, give impetus to the exploration of new possibilities, propositions, or experiences—to the exploration of the conditions and contingencies of our encounter with images. This is the virtue of such difficulty—it gives vitality to the work of art. Here the word virtuous is used to describe the act of creating formlessness, as opposed to producing pre-ordained ideas. In this respect it is moral in the sense that it provokes something of uneasiness or difficulty that it gives rise to the impetus, to continue, to explore new possibilities and experiences.en_NZ
dc.identifier.urihttps://hdl.handle.net/10292/10289
dc.language.isoenen_NZ
dc.publisherAuckland University of Technology
dc.rights.accessrightsOpenAccess
dc.subjectPaintingen_NZ
dc.subjectIntuitionen_NZ
dc.subjectDifficultyen_NZ
dc.subjectVitalityen_NZ
dc.subjectFormlessnessen_NZ
dc.titleCollision, Confusion, Collusionen_NZ
dc.typeExegesis
thesis.degree.grantorAuckland University of Technology
thesis.degree.levelMasters Theses
thesis.degree.nameMaster of Art and Designen_NZ
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