Impossible to Prove
aut.embargo | No | en_NZ |
aut.thirdpc.contains | No | en_NZ |
aut.thirdpc.permission | No | en_NZ |
aut.thirdpc.removed | No | en_NZ |
dc.contributor.advisor | Thomson, Andy | |
dc.contributor.advisor | Jervis, Ian | |
dc.contributor.author | Nielsen, Philippa | |
dc.date.accessioned | 2013-07-30T20:41:13Z | |
dc.date.available | 2013-07-30T20:41:13Z | |
dc.date.copyright | 2012 | |
dc.date.created | 2013 | |
dc.date.issued | 2012 | |
dc.date.updated | 2013-07-30T02:35:46Z | |
dc.description.abstract | This practice-based research explores the strangeness of the ordinary, through a photographic and sculptural investigation of familiar objects and materials. Photographically, I am looking for slight rifts in the expected. Sculpturally, I use found imagery, readymade objects and craft and office materials to create image-objects that operate in relation to each other as collage in space. I am looking for a transformative interaction of objects and comprehension, in order to examine assumptions of knowledge and create new possibilities in worldview. Like a shift in perception caused by a paradox or a pun, my work is a place to hold mystery and comedy. Each image or object contains a set of personal and cultural references, and I am looking for a multiplication of associations within the spaces between. | en_NZ |
dc.identifier.uri | https://hdl.handle.net/10292/5591 | |
dc.language.iso | en | en_NZ |
dc.publisher | Auckland University of Technology | |
dc.rights.accessrights | OpenAccess | |
dc.subject | Sculpture | en_NZ |
dc.subject | Photography | en_NZ |
dc.subject | Readymade | en_NZ |
dc.subject | Collage | en_NZ |
dc.title | Impossible to Prove | en_NZ |
dc.type | Thesis | |
thesis.degree.discipline | ||
thesis.degree.grantor | Auckland University of Technology | |
thesis.degree.level | Masters Theses | |
thesis.degree.name | Master of Art and Design | en_NZ |