Contemporary society’s hyper-consumerist mindset has led to ethical and environmental concerns in the fashion industry. (un)dressing Utopia seeks to explore and contribute to the conversation around the over-consumption of fashion by developing garments that offer an alternative form of engagement for both maker and consumer. Specifically, the research is guided by the question; How might utopian values challenge contemporary fashion consumption and inform the development of a garment crafted with materials from my family’s lifestyle block and surrounding area?

Philosopher Sir Thomas More influences a utopian setting for this research based on three key values: locality, connection, and artisanal. Artisanal methods and locally sourced materials extend on a shift towards a more localised fashion industry, and highlight how traditional methods of making can contribute to this.

This practice-led research incorporates material-driven design and craft research. Material Driven Design places an emphasis on material qualities and attributes and allows the designer to create a more meaningful connection between textile and form. Utilising materials from the locality around my family home, two jackets are produced using traditional craft textile practices such as hand spinning and natural dyeing. These garments have been contextualised alongside traditional Western workwear. Like workwear that transcends fashion trends and social class, the jackets are crafted, designed and made to last the wearer’s lifetime.