Tamarinda
| aut.embargo | Yes | en_NZ |
| aut.filerelease.date | 2028-3-27 | |
| aut.thirdpc.contains | No | en_NZ |
| dc.contributor.advisor | Bancroft, Andrew | |
| dc.contributor.author | Lakhani, Lata | |
| dc.date.accessioned | 2021-11-02T21:47:25Z | |
| dc.date.available | 2021-11-02T21:47:25Z | |
| dc.date.copyright | 2021 | |
| dc.date.issued | 2021 | |
| dc.date.updated | 2021-11-02T21:15:35Z | |
| dc.description.abstract | This exegesis frames my thesis, Tamarinda. The first part of this exegesis attempts to contextualize my screenplay in the current body of similar works. Starting with a statement about my core story, I will identify commonalities between these primary works in terms of their core stories, techniques, and perspectives. Part 1 concludes with a scrutiny into the differences between the selected works, followed by alternative viewpoints pertaining to these and their relevance to my screenplay. Part 2 of this exegesis focuses on my motivations behind this research and an analysis of some significant creative elements that characterize it as a screenplay. | |
| dc.identifier.uri | https://hdl.handle.net/10292/14619 | |
| dc.language.iso | en | en_NZ |
| dc.publisher | Auckland University of Technology | |
| dc.rights.accessrights | OpenAccess | |
| dc.subject | Diaspora | en_NZ |
| dc.subject | Drama | en_NZ |
| dc.subject | Romance | en_NZ |
| dc.subject | International | en_NZ |
| dc.title | Tamarinda | en_NZ |
| dc.type | Exegesis | en_NZ |
| thesis.degree.grantor | Auckland University of Technology | |
| thesis.degree.level | Masters Theses | |
| thesis.degree.name | Master of Creative Writing | en_NZ |
