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Tamarinda

aut.embargoYesen_NZ
aut.filerelease.date2028-3-27
aut.thirdpc.containsNoen_NZ
dc.contributor.advisorBancroft, Andrew
dc.contributor.authorLakhani, Lata
dc.date.accessioned2021-11-02T21:47:25Z
dc.date.available2021-11-02T21:47:25Z
dc.date.copyright2021
dc.date.issued2021
dc.date.updated2021-11-02T21:15:35Z
dc.description.abstractThis exegesis frames my thesis, Tamarinda. The first part of this exegesis attempts to contextualize my screenplay in the current body of similar works. Starting with a statement about my core story, I will identify commonalities between these primary works in terms of their core stories, techniques, and perspectives. Part 1 concludes with a scrutiny into the differences between the selected works, followed by alternative viewpoints pertaining to these and their relevance to my screenplay. Part 2 of this exegesis focuses on my motivations behind this research and an analysis of some significant creative elements that characterize it as a screenplay.
dc.identifier.urihttps://hdl.handle.net/10292/14619
dc.language.isoenen_NZ
dc.publisherAuckland University of Technology
dc.rights.accessrightsOpenAccess
dc.subjectDiasporaen_NZ
dc.subjectDramaen_NZ
dc.subjectRomanceen_NZ
dc.subjectInternationalen_NZ
dc.titleTamarindaen_NZ
dc.typeExegesisen_NZ
thesis.degree.grantorAuckland University of Technology
thesis.degree.levelMasters Theses
thesis.degree.nameMaster of Creative Writingen_NZ

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