Production design for traditional cut-out animation: digital remediation of genre-specific aesthetics

Yuan, Ning

Production design for traditional cut-out animation: digital remediation of genre-specific aesthetics

aut.embargo	No	en
aut.thirdpc.contains	No
aut.thirdpc.permission	No
aut.thirdpc.removed	No
dc.contributor.advisor	Frommherz, Gudrun
dc.contributor.author	Yuan, Ning
dc.date.accessioned	2011-07-15T03:49:03Z
dc.date.available	2011-07-15T03:49:03Z
dc.date.copyright	2010
dc.date.issued	2010
dc.date.updated	2011-07-15T03:46:33Z
dc.description.abstract	Historically, cut-out animation has been overshadowed by mass-produced cel animation made in Hollywood and Japan. There are historical and production-related reasons that have led to the under-appreciation of this animation form. However, cut-out animation comes with unique aesthetics and narrative characteristics that are not normally found in dominant cel animation. These special qualities deserve to be recognized and re-introduced. This research analyzes the genre-specific characteristics of cut-out animation with the goal to preserve and to further develop this animation form via a digital workflow. Findings of this study suggest that most of the characteristics of traditional cut-out animation can be preserved, and even improved, through a careful digital transition from analogue to digital production design.
dc.identifier.uri	https://hdl.handle.net/10292/1483
dc.language.iso	en	en_NZ
dc.publisher	Auckland University of Technology
dc.rights.accessrights	OpenAccess
dc.subject	Cut-out animation
dc.subject	Remediation
dc.title	Production design for traditional cut-out animation: digital remediation of genre-specific aesthetics
dc.type	Thesis
thesis.degree.grantor	Auckland University of Technology
thesis.degree.level	Masters Theses
thesis.degree.name	Master of Communication Studies