Beneath the skin
aut.embargo | No | en_NZ |
aut.thirdpc.contains | No | en_NZ |
aut.thirdpc.permission | No | en_NZ |
aut.thirdpc.removed | No | en_NZ |
dc.contributor.advisor | Miles, Anna | |
dc.contributor.advisor | McIntyre, Simon | |
dc.contributor.author | Coleman, Mary Ellen | |
dc.date.accessioned | 2016-05-12T01:47:06Z | |
dc.date.available | 2016-05-12T01:47:06Z | |
dc.date.copyright | 2015 | |
dc.date.created | 2016 | |
dc.date.issued | 2015 | |
dc.date.updated | 2016-05-11T04:33:02Z | |
dc.description.abstract | Beneath the Skin explores the possibilities of a figurative painting practice drawn from an archive of disquieting material. The archive is a highly subjective assembly of historical medical material that raises important issues of voyeurism, morbid curiosity, and appropriate use. The project has utilised these issues as the basis of a painterly exploration. Retaining the anonymity and dignity of the subjects of the archival material has been a key consideration of the painterly research. | en_NZ |
dc.identifier.uri | https://hdl.handle.net/10292/9778 | |
dc.language.iso | en | en_NZ |
dc.publisher | Auckland University of Technology | |
dc.rights.accessrights | OpenAccess | |
dc.subject | Visual arts | en_NZ |
dc.subject | Painting | en_NZ |
dc.subject | Medical history | en_NZ |
dc.subject | Medicine | en_NZ |
dc.subject | Portraits | en_NZ |
dc.subject | Disease | en_NZ |
dc.title | Beneath the skin | en_NZ |
dc.type | Exegesis | |
thesis.degree.discipline | ||
thesis.degree.grantor | Auckland University of Technology | |
thesis.degree.level | Masters Theses | |
thesis.degree.name | Master of Art and Design | en_NZ |