Queer reflections on Baron Wilhelm von Gloeden: A creative reconsideration of pose, gaze and technique
| aut.embargo | No | en_NZ |
| dc.contributor.advisor | Ings, Welby | |
| dc.contributor.author | Radić, Xavier | |
| dc.date.accessioned | 2018-02-11T21:46:32Z | |
| dc.date.available | 2018-02-11T21:46:32Z | |
| dc.date.copyright | 2004 | |
| dc.date.issued | 2004 | |
| dc.description.abstract | This project and accompanying exegesis consider the evolution of the Gay, nude male analogue photograph, bringing to the fore a personalised reflection on the work of Baron Wilhelm von Gloeden. It contexualizes and investigates (from a queer perspective) issues of the pose and gaze, and revisits some of Von Gloeden’s constructions and technological concerns. These issues are then creatively synthesized into the production of a contemporary nude, male calendar. The photographs use self-identifying gay men as models. The artwork explores the potential of a range of increasingly anachronistic technologies [cyanotype, letter press and treatments of the analogue negative] to produce a print-based artefact that reflects upon notions of male grace, obscurification and the gaze. | en_NZ |
| dc.identifier.uri | http://hdl.handle.net/10292/11218 | |
| dc.language.iso | en | en_NZ |
| dc.publisher | Auckland University of Technology | |
| dc.rights.accessrights | OpenAccess | |
| dc.subject | Male nude in art | en_NZ |
| dc.subject | Photography of the nude | en_NZ |
| dc.subject | Photography of men | en_NZ |
| dc.subject | Photography | en_NZ |
| dc.title | Queer reflections on Baron Wilhelm von Gloeden: A creative reconsideration of pose, gaze and technique | en_NZ |
| dc.type | Exegesis | en_NZ |
| thesis.degree.grantor | Auckland University of Technology | |
| thesis.degree.name | Master of Art and Design | en_NZ |