Whakaruku: Painting a Love Letter to the Ocean
| aut.embargo | No | |
| aut.thirdpc.contains | Yes | |
| aut.thirdpc.permission | Yes | |
| aut.thirdpc.removed | Yes | |
| dc.contributor.advisor | Robertson, Natalie | |
| dc.contributor.advisor | Boberg, Ingrid | |
| dc.contributor.author | Belton-Bodsworth, Ngahina | |
| dc.date.accessioned | 2025-10-20T03:15:26Z | |
| dc.date.available | 2025-10-20T03:15:26Z | |
| dc.date.issued | 2025 | |
| dc.description.abstract | Through painting, I reflect on the introspective and embodied spaces created by sustained engagement with three ancestral oceanic practices: surfing (whakahekengaru), voyaging (hekenga), and diving (ruku). This project was prompted by ongoing relocations, both internationally and within Aotearoa, and grew from a desire to establish continuity and connection across shifting geographical landscapes and cultural dislocations. I examine the historical significance of each practice within te ao Māori and their contemporary reinterpretations in post-colonial Aotearoa today. Employing painted magical realism to construct layered, cross-generational narratives, I emphasise an intimate relationship with the sea as a vessel for linking past, present, and future. I argue that this connection can facilitate whakapapa Māori reconnection, nurture a sense of place, navigate bicultural identity, and foster environmental kinship. | |
| dc.identifier.uri | http://hdl.handle.net/10292/19961 | |
| dc.language.iso | en | |
| dc.publisher | Auckland University of Technology | |
| dc.rights.accessrights | OpenAccess | |
| dc.title | Whakaruku: Painting a Love Letter to the Ocean | |
| dc.type | Thesis | |
| thesis.degree.grantor | Auckland University of Technology | |
| thesis.degree.name | Master of Visual Art |
