The shed project
| aut.embargo | No | en |
| aut.thirdpc.contains | Yes | |
| aut.thirdpc.permission | No | |
| aut.thirdpc.removed | No | |
| dc.contributor.advisor | Jansen, Dieneke | |
| dc.contributor.author | Grinter, Keith | |
| dc.date.accessioned | 2010-03-11T03:26:02Z | |
| dc.date.available | 2010-03-11T03:26:02Z | |
| dc.date.copyright | 2009 | |
| dc.date.issued | 2009 | |
| dc.description.abstract | This project attempts to translate my experience of the everyday street for the viewer; to reveal my experience of walking and looking through drawing. The everyday is an elusive and slippery subject that has been used for various and sometimes radical agendas by many writers and artists in the last two centuries. It is seen as having potential for finding the authenticity that is lacking in other spheres of human activity. However, there is an inherent contradiction for the artist engaged with the everyday in that, by definition, the mundane is barely noticed yet it can swiftly become extraordinary when examined closely. This project uses a toolbox of everyday tactics, processes and methods to explore and devise appropriate modes of representing the everyday street, while taking this contradiction into account. | |
| dc.identifier.uri | https://hdl.handle.net/10292/823 | |
| dc.language.iso | en | en |
| dc.publisher | Auckland University of Technology | |
| dc.rights.accessrights | OpenAccess | |
| dc.subject | Sculpture | |
| dc.subject | Drawing | |
| dc.subject | Everyday | |
| dc.subject | Phenomenology | |
| dc.subject | Walking | |
| dc.subject | Wood | |
| dc.title | The shed project | |
| dc.type | Thesis | |
| thesis.degree.grantor | Auckland University of Technology | |
| thesis.degree.level | Masters Theses | |
| thesis.degree.name | Master of Art and Design |