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The Physical and Painted Body: Performance and Reciprocity

aut.embargoNo
aut.thirdpc.containsYes
aut.thirdpc.permissionNo
aut.thirdpc.removedYes
dc.contributor.advisorHooper, Julian
dc.contributor.advisorBraddock, Chris
dc.contributor.authorSantoso, Anna Christianti
dc.date.accessioned2026-08-05T01:17:53Z
dc.date.issued2026
dc.description.abstractUndergoing a transformation of the traditional painting practice, this project explores abstract, performative processes that utilise the body as both subject and object, requiring an understanding of the historical influences of performance art and the female body in art. The relationship between the physical and painted body presents the possibilities of a reciprocal nature, a physical conversation and connection, while also grappling with the place personal identity and gender hold within a bodily practice. The exploration of this abstract painting process and its residual elements, combined with the preserved outcome, reveals the intricate traits of this body-to-body relationship.
dc.identifier.urihttp://hdl.handle.net/10292/21700
dc.language.isoen
dc.publisherAuckland University of Technology
dc.rights.accessrightsOpenAccess
dc.titleThe Physical and Painted Body: Performance and Reciprocity
dc.typeThesis
thesis.degree.grantorAuckland University of Technology
thesis.degree.nameMaster of Visual Arts

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