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dc.contributor.advisorJervis, Ian
dc.contributor.advisorJackson, Mark
dc.contributor.authorLeft, Ron
dc.date.accessioned2018-02-08T23:20:53Z
dc.date.available2018-02-08T23:20:53Z
dc.date.copyright2005
dc.identifier.urihttp://hdl.handle.net/10292/11206
dc.description.abstractThis studio-based project explores ideas of stability and instability through a series of artworks utilising processes from painting and photographic disciplines. It specifically explores imagery that has an embedded sense of instability or potential breakdown. The project refers to events as opposed to objects, places or states. Deleuze defines events as ‘between’ or at the border of things and language, and it is this border that is the productive site where the images and ideas accumulate in the project. Two sets of related works exploit processed images of accidents and surveillance X-rays. Images of accidents have an obvious entropic reference, and surveillance X-rays function as the predictors of instability. Within the works there is a mimicking process across painted and photographic surfaces creating an uncertainty of the nature and function of these disciplines. The thesis exhibition, Stable and Unstable Events, explores layers of dialogue between the continuous and the discontinuous, the photographic image and abstraction, the accidental and the constructed.en_NZ
dc.language.isoenen_NZ
dc.publisherAuckland University of Technology
dc.subjectArten_NZ
dc.subjectNew Zealanden_NZ
dc.subjectX-raysen_NZ
dc.subjectNew Zealand arten_NZ
dc.titleEvents on a horizontal plane: A visual exploration of stability and instabilityen_NZ
dc.typeExegesisen_NZ
thesis.degree.grantorAuckland University of Technology
thesis.degree.nameMaster of Arts (Art and Design)en_NZ
dc.rights.accessrightsOpenAccess


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