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dc.contributor.advisorGilderdale, Peter
dc.contributor.advisorChen, Chen
dc.contributor.authorLi, Jiashu
dc.date.accessioned2019-08-20T23:57:11Z
dc.date.available2019-08-20T23:57:11Z
dc.date.copyright2019
dc.identifier.urihttp://hdl.handle.net/10292/12756
dc.description.abstractWestern researchers often choose classic Western paintings as research objects and less frequently consider the artistic works of other cultures. Similarly, Chinese studies have traditionally tended to focus on Chinese culture. At present, most Chinese domestic research on traditional Chinese painting is in the stage of theoretical analysis, which lacks practice-led research, let alone practice-based responses. This research project aims to study the commonality of composition between Chinese and Western styles, conducting a large number of experimental analyses through combining Western and Chinese compositions. It thus integrates aspects of Chinese and Western culture to discuss and analyse the visual aesthetics brought about by this particular compositional model.en_NZ
dc.language.isoenen_NZ
dc.publisherAuckland University of Technology
dc.subjectChinese ink paintingen_NZ
dc.subjectTaoist aestheticsen_NZ
dc.subjectGriden_NZ
dc.subjectHybrid compositionen_NZ
dc.titleA Chinese Grid-combining Chinese and Western Approaches to Compositionen_NZ
dc.typeResearch Projecten_NZ
thesis.degree.grantorAuckland University of Technology
thesis.degree.levelMasters Research Projects
thesis.degree.nameMaster of Designen_NZ
dc.rights.accessrightsOpenAccess
dc.date.updated2019-08-20T23:15:35Z


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