Godbolt, Finn2026-05-262026-05-262026-01-27Proceedings of the 27th IFFTI Annual Conference: Forming Futures London College of Fashion, UAL, 24-28 March 2025. Vol 4. https://site.iffti.org/archives/http://hdl.handle.net/10292/21242This research considers how historical events in Western Europe between the 17th to the 20th centuries impacted textile aesthetics resulting in the limited use of colour, texture, and silhouette in contemporary menswear, notably compared to the aesthetic variety of textiles in womenswear. A review of the ebbs and flows of historical menswear reveals a range of significant historical influences that govern silhouettes and materials. Specifically, this work analyses how various social transformations contributed to a consistent rejection and reoccurrence of highly ornate and expressive male clothing. The include the impact of class systems during the French Revolution and technological advancements in the Industrial Revolution. Next, the “Great Male Renunciation” marks the first documented response to both revolutions, presenting a strategy against minimalist and uniform aesthetics in menswear. These events represent critical points in the history of textiles, where men opted for clothing that prioritises functionality, uniformity, and subtlety. Understanding historical contexts that govern menswear aesthetics reflects a crucial underpinning of adornment as a key aspect of menswear aesthetics a despite limited commonality in modern design. This research paper considers how digital knitting technologies can inspire a revival of ornamental and decorative potentials in menswear textiles, with a range of practice outcomes proposing novel methods of designing historical garments and features.© The author(s). Free access.330315 Textile and fashion design401413 Textile technology440507 Studies of men and masculinitiesOrnamentationKnittingExpressionMenswearTechnologyCraftConference ContributionOpenAccess