2026-09-23T18:48:35Zhttps://openrepository.aut.ac.nz/server/oai/requestoai:openrepository.aut.ac.nz:10292/84432026-06-13T16:12:35Zcom_10292_3col_10292_5
AUT Research Repository
advisor
Thomson, Andy
advisor
Jervis, Ian
author
Doblanovic, Ekarasa Mara
2015-03-03T20:08:42Z
2015-03-03T20:08:42Z
2014
https://hdl.handle.net/10292/8443
This visual arts research project aims to investigate colour and composition. The interest relies in how an image that incorporates three-dimensional aspects emerges through interaction between monochromatic and modular components that are deployed within an expanded field of painting; that is to say, within a field of activity which deconstructs the frame of painting and explores colour, surface and plastic values, in a spatial context.
The study aims to investigate colour and its manifestations; particularly in it’s potential to generate affective responses. The project’s main interest arises from a question of how the image in art emerges from visual-material relationships, and, then transcends the bounds of the painted surface into pure sensation.
The approach taken engages interaction between the formal and the playful, between rational planning and contingency, within sites of visual and spatial potentiality where intuition, chance and improvised response generate unique configurations.
en
Painting
Colour
Provisional
Monochrome
Gestalt
Objecthood
Modular
Colour Action: An Exploration of Values and Shifting Modes in Painting
Thesis
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URL
https://openrepository.aut.ac.nz/bitstreams/10324482-957b-4bfa-9be2-e535ff981856/download
File
MD5
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DoblanovicEM2.pdf
URL
https://openrepository.aut.ac.nz/bitstreams/e2b6afcb-1994-4841-9283-ad932d30628c/download
File
MD5
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text/plain
DoblanovicEM2.pdf.txt