2026-09-24T15:41:04Zhttps://openrepository.aut.ac.nz/server/oai/requestoai:openrepository.aut.ac.nz:10292/112182026-07-31T04:08:10Zcom_10292_16164com_10292_3col_10292_16165col_10292_5
AUT Research Repository
advisor
Ings, Welby
author
Radić, Xavier
2018-02-11T21:46:32Z
2018-02-11T21:46:32Z
2004
https://hdl.handle.net/10292/11218
This project and accompanying exegesis consider the evolution of the Gay, nude male analogue photograph, bringing to the fore a personalised reflection on the work of Baron Wilhelm von Gloeden. It contexualizes and investigates (from a queer perspective) issues of the pose and gaze, and revisits some of Von Gloeden’s constructions and technological concerns. These issues are then creatively synthesized into the production of a contemporary nude, male calendar.
The photographs use self-identifying gay men as models. The artwork explores the potential of a range of increasingly anachronistic technologies [cyanotype, letter press and treatments of the analogue negative] to produce a print-based artefact that reflects upon notions of male grace, obscurification and the gaze.
en
Male nude in art
Photography of the nude
Photography of men
Photography
Queer Reflections on Baron Wilhelm von Gloeden: A Creative Reconsideration of Pose, Gaze and Technique
Thesis
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URL
https://openrepository.aut.ac.nz/bitstreams/c2950f64-8d1f-45e6-8521-f532011540da/download
File
MD5
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application/pdf
RadicX.pdf
URL
https://openrepository.aut.ac.nz/bitstreams/d28bbff6-9717-484d-96b4-2b3fa7a41980/download
File
MD5
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text/plain
RadicX.pdf.txt