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dc.contributor.advisorHedges, Susan
dc.contributor.advisorDouglas, Andrew
dc.contributor.authorWilson, Maya Rebecca
dc.date.accessioned2016-05-15T23:23:27Z
dc.date.available2016-05-15T23:23:27Z
dc.date.copyright2016
dc.date.created2016
dc.identifier.urihttp://hdl.handle.net/10292/9782
dc.description.abstractResearch Question | How can design research understand and respond to alliances between neoliberalism and Evangelical populism? This work documents an investigation into how installations and spatial artefacts might be designed for the purpose of activating a critique examining the relationship between neoliberalism and Evangelical populism. A critique will be developed through the analysis of concepts, tactical spatial configurations and affective spatial devices present in subversive works of art and in the spatial archetypes of the Evangelical Protestant right. The potential use of spatial artifices in the design of subversive spaces will be explored. Used in this way, spatial artifices may aid in the transmission of cultural replicators. The work of subversive practitioners who operate in the field of art, architecture and literature, is surveyed for the potential visual translation of ideas and tactics for activating subversive spaces and artefacts that question the neoliberalism of the Evangelical Protestant right.en_NZ
dc.language.isoenen_NZ
dc.publisherAuckland University of Technology
dc.subjectEvangelicalen_NZ
dc.subjectNeoliberalismen_NZ
dc.subjectSubversiveen_NZ
dc.subjectSpatialen_NZ
dc.subjectAffecten_NZ
dc.subjectIronyen_NZ
dc.titleSpatial Provocations | Activating a critique of the alliance of God and Mammon within the Evangelical Protestant righten_NZ
dc.typeExegesis
thesis.degree.grantorAuckland University of Technology
thesis.degree.levelMasters Theses
thesis.degree.nameMaster of Art and Designen_NZ
thesis.degree.discipline
dc.rights.accessrightsOpenAccess
dc.date.updated2016-05-15T22:22:25Z


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