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dc.contributor.advisorRobertson, Natalie
dc.contributor.advisorBoberg, Ingrid
dc.contributor.authorBrampton, Fear Taitimu
dc.date.accessioned2010-06-28T23:54:34Z
dc.date.available2010-06-28T23:54:34Z
dc.date.copyright2009
dc.date.issued2010-06-29
dc.identifier.urihttp://hdl.handle.net/10292/928
dc.description.abstractThe thesis project focuses on the narrative and uses identity as its subject matter. The narrative is examined through digitally manipulated imagery as a dynamic system of performative sense making implicated in both self-creation and reality creation. The fundamental role of narrative in creating self/identity and community/history, as embedding contexts is considered. The role of variously language and acts, community, disnarration, and the limits of systems are examined in relation to identity and issues of intelligibility, coherence, and 'tellability'. The work which results from an examination of this area are semionautic emplotments of operally mediated events in a quasi-mimetic experiential evocation of real life, that is "true fictions".
dc.language.isoenen_NZ
dc.publisherAuckland University of Technology
dc.subjectmultiple identity
dc.subjectcommunity
dc.subjecttakatapui
dc.subjectdisnarration
dc.subjectrepresentation
dc.subjectnarrative performativity
dc.titleTrue fictions: The basis of identity and contextual reality in narrative performativity
dc.typeThesis
thesis.degree.grantorAuckland University of Technology
thesis.degree.levelMasters Theses
thesis.degree.nameMaster of Art and Design
dc.rights.accessrightsOpenAccess
dc.date.updated2010-06-28T01:17:46Z


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