• Canopy of the upturned eye: writing on Derrida’s Crypt

      O'Connor, MTS (Mosaic, 2010)
      The evocation of a spatial sheltering in this title hints at a covering over death. Indeed, a canopy is productive of fertile vegetation for a continued nurturing of living after death. However, this paper aims at a threshold ...
    • Canopy: proposal for Wynyard wharf. Auckland architecture week 09 invited design charette

      Young, E; Douglas, C; Richards, H; Xu, C; Fisher, CPRW (AUT University, 2009)
      As part of Auckland Architecture Week 09, a one-day invited design charette was held in a public venue in the Britomart Quarter. The charette was intended to show people what architects do, and to generate concepts for the ...
    • Character acting: a case for better animation reference

      Kennedy, J (Popular Culture Association of Australia and New Zealand (PopCAANZ), 2013)
      Animators are often expected to film their own acting reference. However, most animators are not trained actors, and as a result, their performances lack depth when dealing with emotionally-rich subject matter. The result ...
    • Climbing the high road: strategic design and management of New Zealand's human capital and economic transformation

      Yap, L (The Institute of Industrial Policy Studies, Design Management Institute, Design and Brand Management Society., 2006)
      ‘Ui mai koe ki ahau he aha te mea nui o te ao, Maku e ki atu he tangata, he tangata he tangata’* ‘Ask me what is the greatest thing in the world, I will reply: It is people, it is people, it is people!’ The strategic ...
    • Closing remarks: on Deleuze and Heidegger, via Foucault

      Jackson, ML (The University of Auckland, 2012)
      These closing remarks aim to draw on and draw out the theme for this symposium: intuition & expression. While we are familiar with Deleuze’s engagements with philosophical traditions that have developed these notions, we ...
    • Collaborative registers of interactive art

      Joseph, F (ISEA International, the Australian Network for Art & Technology and the University of Sydney, 2013)
      Research into collaborative modes of technology development is often discussed in terms of communication and co-ordination. The process of collaboration in interactive art projects warrants consideration beyond the management ...
    • Collectivity

      Douglas, C (School of Architecture and Planning, University of Auckland, 2006)
      A reading of a text by John Donne provides the grounds for a consideration of several senses of the word 'matter': physical matter (something is matter); significance or importance (something matters); and a state of affairs ...
    • Communication design and community: pedagogy and empowerment

      Young, A (European Academy of Design, 2013)
      This paper will discuss two social action initiatives that were undertaken as part of communication design courses offered in Australia and New Zealand. Each initiative involved student designers collaborating with a ...
    • Components of a special collection: a collaboration with the university of auckland fine arts library

      White, M (University of Auckland, 2011)
      The exhibition was initiated with a survey of the entire collection of artists books in the university of auckland fine arts library. Through this process various approaches, or components, to the practice of book making ...
    • Conflict, speech, and truth within the urban space of Tahrir Square

      Patel, R (Urban Transcripts, 2017)
      No abstract.
    • Constructing critiques of ornament: what can we know?

      Engels-Schwarzpaul, A.-Chr. (Anti-po-des Design Research Journal, 2010)
      Using the example of discussions of ornament and ornamentation, this paper sketches out scenarios in which "minor knowledges" (Foucault) and practices fail to be recognised in mainstream discourses of academics or ...
    • Contract, crowd, corpus and plasma. Architectural and social assemblages

      Douglas, C (Auckland, NZ: Enigma, 2009)
      This paper springs from Joseph Rykwert’s observation, in On Adam’s House in Paradise (1981), of a conceptual correlation between Marc-Antoine Laugier and Jean-Jacques Rousseau. It discerns, in the condition of joints in ...
    • Counter currents: Whare Nui and Fale abroad

      Engels-Schwarzpaul, A.-Chr.; Wikitera, K (University of Melbourne, 2009)
      Since the 1860s, several Māori whare nui (meeting houses) and Samoan fale (houses) travelled overseas. Their fates are diverse: Mataatua, misappropriated and sent to overseas exhibitions under sometimes scandalous curatorial ...
    • Counter currents: Whare Nui and Fale abroad

      Engels-Schwarzpaul, A.-Chr.; Wikitera, K (University of Melbourne, 2009)
      Since the 1860s, several Māori whare nui (meeting houses) and Samoan fale (houses) travelled overseas. Their fates are diverse: Mataatua, misappropriated and sent to overseas exhibitions under sometimes scandalous curatorial ...
    • Creating Creatures: Dumont and the metaphysics of evil

      Jackson, ML (Film-Philosophy, 2011)
      Since the late 1990s Bruno Dumont has produced six feature films, approximately one every three years. His cinema has been highly praised and is recognized by Martine Beugnet, in Cinema and Sensation, as exemplary of a new ...
    • Cultural relevance in sustainable product design and development

      Yap, L; Maringka, P (Hong Kong Design Centre, 2010)
      This paper details a culture-centric approach to shift design thinking and practices away from the ongoing unsustainable production of goods and services, that are unfit for the human conditions in poor countries and the ...
    • Deferred gratification', 'Wildcards' and 'Packaging': innovative teaching strategies for first year product design students

      Withell, AJ; Charlton, NB (University of New South Wales (UNSW), 2007)
      This paper describes a strategic approach to teaching design that addresses the difficulties of building and maintaining motivation and engagement in first year product/industrial design students, and creating the learning ...
    • Design for Biodiversity: a new approach for ecologically sustainable product design?

      Reay, SD; Withell, A; Diegel, O (New Zealand Society for Sustainability Engineering and Science (NZSSES), 2010)
      McDonough and Braungart proposed the “Cradle to Cradle” design framework to provide solutions to the world’s current ecological crisis. This approach, based on examples from nature, ensures that human activities can have ...
    • Design methods toolbox: supporting self-directed learning through innovative teaching and learning resources

      Withell, A; Reay, S; Diegel, O (AUT University, 2010)
      This paper presents a resource developed as part of an innovative teaching and learning project aimed at developing, facilitating and supporting student-directed learning in the Product Design programme at AUT University, ...