• Scale – Time – Complexity: engaging, entangling, and communicating ecology

      Jamieson, N; Denton, A; Reay, S (International Symposium on Electronic Art (ISEA), 2012)
      This project proposes a forum for discussion that questions how we engage with our ecology. The panel will be framed within an acknowledgment of scale, time, and complexity as an entry point into a conversation about our ...
    • Scholarship & connoisseurship symbiosis in postgraduate design education

      Yap, BL (DesignEd Asia Conference Secretariat, The Hong Kong Polytechnic University, 2013)
      The past two decades have witnessed design activities morphing from designing “posters and toasters”, towards strategic planning, system integration, innovation, and social transformation. Probably, no other discipline in ...
    • Security, preservation, enhancement

      Jackson, ML (Australasian Society for Continental Philosophy (ASCP), 2012)
      In an interview, “The Return of Morality,” Michel Foucault candidly suggests the extraordinary influence of Nietzsche and Heidegger on his thinking. Moreover, it is precisely reading them together that was the genuine ...
    • Seismic stories

      Robertson, N (The Australian Centre for the Moving Image, 2006)
      Today, I will speak of the dead and so I acknowledge nga mate, those who have gone before. This is dedicated to my schoolmates and the other Kawerau kids mentioned today who have passed away. Uncle Tasman - The Trembling ...
    • Sex and power in Māori carving

      Robertson, N; Ellis, N (World Indigenous Peoples Conference on Education (WiPC:E), 2014)
      Traditionally Maori carving has been regarded as depicting benign ancestors. However, when looked at more closely we can see these carvings as articulators of sex and power in Maori culture - from the choice of ancestor ...
    • Shadowy Figures and Strange Interiors: The Optician’s Waiting Room

      Hedges, S (UCD School of Art History and Cultural Policy, 2016)
      The waiting room can be imagined as a frequently visited place, a place to loiter, sit or perhaps stand, walk and converse. A transitional point before entering or moving to another in which no actual movements of the ...
    • Silence and forgetting

      Engels-Schwarzpaul, A.-Chr.; Robertson, N (AUT University, 2006)
      No abstract.
    • Sites for contemporary Gothic

      Piatti-Farnell, L (Aeternum, 2014)
      No abstract.
    • SkiNZ "Patience": personal narratives of identity within gay leather culture

      Austin, L (Common Ground, 2014)
      Image dominant cultural coding plays an important role in how we perceive culture. This exists in many areas including, but not limited to advertising, education, news, and popular art, etc. I would argue that the majority ...
    • Social innovation through employing design actualization

      Thomassen, A (Eburon Publishers, Delft, 2009)
      Recent publications show a relation between design, innovation and empowerment, in particular for the more digital literate people that participate in global networks. This paper investigates whether and how governments ...
    • Software tools for rapid prototype as design

      Withell, AJ; Diegel, O; Reay, S (Centre for Rapid and Sustainable Product Development, 2011)
      Design teams are expected to produce physical prototypes that demonstrate the working principles of their designs. These projects may involve multiple areas of technology, such as industrial design, electronics, mechanical ...
    • Soho square, Grey Lynn / Deloitte centre, Auckland city

      Douglas, C (Auckland, NZ: AGM Publishing, 2008)
    • Spatiotemporal Environments – Narratives of the underpaid worker in New Zealand

      Sinfield, D (AUT University, 2011)
      The International Conference on Interdisciplinary Social Sciences examines the nature of disciplinary practices, and the interdisciplinary practices that arise in the context of ‘real world’ applications. It also interrogates ...
    • Spatiotemporal Environments – Translations of Workers Narratives into Visual Texts

      Sinfield, D (Common Grounds, 2011)
      The International Conference on Interdisciplinary Social Sciences examines the nature of disciplinary practices, and the interdisciplinary practices that arise in the context of ‘real world’ applications. It also interrogates ...
    • Stockholm Falsework

      Cullen, P (Hammarby Artport, 2007)
      Falsework is a temporary scaffold-like architectural support which is used to hold elements in place during construction and until they become self supporting. Paul Cullen’s Falsework sculptures are makeshift constructions ...
    • Stop sign

      Jackson, M (AUT University, 2008)
      No abstract
    • Streaming. An intelligence agency for an unspecified city in a hot climate. Competition entry for Auckland Architecture Association Cavalier Bremworth Awards 06

      Douglas, C (AUT University, 2006)
      This competition entry for the AAA Cavalier Bremworth Awards 06 was an exploration of the use of pattern generation and interference patterns in generating operational architectural space. It sought to create strategic ...
    • Surrender

      White, M; Charman, J (Lopdell House Gallery, 2011)
      A collaborative event between poet and photographer, presented as a simultaneous poetry reading and video performance for "rhythm & verse" series for the Titirangi Music Festival and Poetry Event
    • Sustainability design history

      Jackson, M (Design Philosophy Papers (DPP), 2010)
      Michel Foucault’s last published monograph, The Care of the Self, may be considered from the vantage point of how the question of ethics and aesthetics have been separated, or more precisely, how a self becomes a manifold ...
    • Sustainable design education: designing virtual online teaching resources for fashion and textiles

      Finn, A; Fraser, K (Common Ground, 2015)
      In an environment of economic uncertainty and increasing competition, universities are challenged to find alternate methods of maintaining quality educational outcomes given the rising costs for teaching space. Further, ...