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Browsing School of Art and Design - Te Kura Toi a Hoahoa by Title

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Now showing items 241-260 of 286

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    • The Hijab: representation among the Muslim women in Malaysia 

      O'Connor, MTS; Khalid, R (The International Academic Forum (IAFOR), 2011)
      The significance of this research lies in an analysis of Malay Muslim Women dress codes in relation to a specific period of time between the 1970s and 1980s in Malaysia. This period of time has been termed an Islamic ...
    • The humanization of beings 

      Jackson, M (Australasian Society for Continental Philosophy (ASCP), 2008)
      No abstract
    • The importance of ePortfolios: teaching graphic design through an ePortfolio environment both in and out of the classroom environment 

      Sinfield, D (ePIC, 2014)
      Graphic design continues to be a growing area within education and mainstream industry, especially in emerging economies of third world countries. The trends within these third world countries, both at education and industry ...
    • The internal pathway of the self: supervisory implications of autobiographical, practice-led Ph.D. design theses 

      Ings, Welby (Hong Kong Polytechnic University School of Design/Swinburne University of Technology Faculty of Design, 2011)
      This paper draws on case studies undertaken in doctoral research at AUT University. It seeks to address a number of issues related to inquiries employed by graphic design students who use autobiographic approaches when ...
    • The invisible and visible in Making. Reflection on a personal practice 

      Piper, GF (Nordic research network (Nordfo), 2012)
      No abstract.
    • The Naughty Nineties movable book prototype (1981), and the paper-engineering roll-on effect in tertiary teaching 

      Kaiser, LJ (Otago School of Art and the University of Otago Centre for the Book, 2014)
      ‘Movable books’ is the term that best encompasses the wide range of paper-engineered books, and includes those with pop-up mechanisms. Movable books epitomise the work of art in book form and date back many hundreds of ...
    • The Palms (commercial architecture proposal) 

      Young, E (Young and Richards, 2008)
      No abstract
    • The science of writing 

      Jackson, M (AUT University, 2008)
      No abstract
    • The semiotics of business signage: how typography is used in impoverished and deprived areas of New Zealand 

      Sinfield, D (Common Ground Publishing LLC, 2014)
      There is no disputing the fact that the Auckland Central Business District (C.B.D) is well positioned within the multinational corporate world community. While walking through the streets of Auckland’s C.B.D, one could ...
    • The use of built environments in the formation and change of national identities: the case of Macedonia and ‘Skopje 2014’ 

      Muratovski, G (Department of Slavic Languages at Stockholm University, 2013)
      While the expressive power of architecture as a signifier of social, economic or political authority during times of prosperity is recognised in the literature, its role during times of political crisis (such as during ...
    • The visible and invisible in making: reflecting on a personal practice 

      Piper, GF (Faculty of Design and Creative Technologies, Auckland University of Technology, 2012)
      In this paper I reflect upon the nature of making within my own practice, with specific reference to intrapersonal conversations (Bolt) and those with materials. The nature of flow as suggested by Csikszentmihalyi, in the ...
    • Theories of practice: an ethics of film analysis 

      O'Connor, M (Centre for Lacanian Analysis, 2009)
      With film theory the “text” that is film has at times encountered diverse readings that account for potential relations to and of the subject. Marxism, feminism, formalism, structuralism, phenomenology and psychoanalysis ...
    • Theory as process: “Keiko” and co-creative movement 

      Thomassen, A; Bradford, M; Thomassen, A; Bradford, M (International Association of Societies of Design Research, 2009)
      This paper sets out to provide insight into the current debate on art, science, and the need for rigor in providing a framework for the interpretation of creativity within design. A literature overview will outline the ...
    • Thinking and doing: enhancing the learning and teaching of graphic design through the use of digital technologies 

      Sinfield, D (Common Ground, 2013)
      Graphic design continues to be a growing area within education and mainstream industry, especially in emerging economies of third word countries. The trends within these countries, both at the education and industry levels, ...
    • Threaded Magazine: Adopting a Culturally Connected Approach 

      Grieve, F; Clarke, K (School of Art and Design, AUT, 2021)
      It has been ten years since the concept of the Publication Platform has been published in the special edition of the Scope Journal ISSN (online version; 1177-5661). The term ‘Publication Platform’ was introduced in the ...
    • Tika Tonu AD2020: Creating a Virtual Exhibition of Design Artwork in Response to The COVID-19 

      Strickland, C; Rigby, H; Sanguanrachasab, J; Michie, K; Mpofu, N; Loh, C; Ferreira, N; Steagall, MM
      The year 2020 was marked by the economic and social challenges originating from the COVID-19 pandemic; measures were introduced to enforce social distancing in a battle against community transmission. Places like universities ...
    • Tillers of the soil/Travelling journeymen: modes of the virtual 

      Engels-Schwarzpaul, A.-Chr. (Editorial Committee of Transformations Journal, 2007)
      Walter Benjamin’s account of story telling as an exchange of experience uses images of embodied interaction: between a “resident tiller of the soil” and a “trading seaman,” or between “resident master craftsman and . . . ...
    • Time and Postphotography: A Practice-Led Research on Duration 

      Van Vliet, D; Mortensen Steagall, M
      This article presents a practice-led research project that asks how experienced time can be perceived through manipulated photographic images. The investigation is carried out by a series of digital images whose content ...
    • Time dancers 

      Piper, G (AUT University, 1999)
      Involves motorised movement and fibre optic lighting
    • Transformative experience 

      Douglas, C (Auckland, NZ: AGM Publishing, 2009)
      Trans-Form-ers was a joint venture for Architecture Week, between the University of Auckland School of Architecture and Planning, the Unitec School of Architecture and Landscape Architecture, the Unitec Bachelor of Interior ...

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