• The Politics of the Pile. Material Imagination and Improvisation in the 1871 Paris Commune

      Douglas, C (enigma : he aupiki charitable trust, 2022)
      In the Paris Commune of 1871, collectives, collective action, and shared spaces were imagined through metaphors of mounding and scattering. This article explores the material imagination that underlies these metaphors and ...
    • Pool Complex, in making worlds

      Cullen, P (Auckland Art Gallery, 2007)
      Pool complex was made in 1994-1995 and was never exhibited before going into the collection of the Auckland Art Gallery. In common with many works I've made since the early 1990's it employed found furniture and dexion.
    • Pool Complex, in Making Worlds.

      Cullen, P (AUT University, 2007)
      Pool complex was made in 1994-1995 and was never exhibited before going into the collection of the Auckland Art Gallery. In common with many works I've made since the early 1990's it employed found furniture and dexion.
    • Porous ceramic filters through 3d printing

      Withell, AJ; Diegel, O; Grupp, I; Reay, S (Centre for Rapid and Sustainable Product Development, 2011)
      This paper describes current and on-going work in adapting Z-Corp 3D printers to operate with low-cost ceramic materials. The components produced with these clay-based ceramic powders can be fired to produce strong, complex ...
    • Possibles and probables: playing with Carlaw Park scoreboard signs

      Valentine, J (The National Grid, 2006)
      No abstract
    • Post screen not displayed

      Charlton, J (Edicao, 2014)
      It seems that we are always waiting for screens. But what are we really waiting for? Treating the screen as an object of sculptural concern, this paper attempts to understand how inherent event-relationships might escape ...
    • Practice-based and material focused: a craft approach to teaching design intuition

      Inder, S; Reay, S (The Hong Kong Polytechnic University School of Design, Hong Kong Design Institute (member of VTC Group) and Hong Kong Design Centre, 2014)
      Successful collaborative design harmonizes diverse inputs from disciplines with often contrasting paradigms (Reay & Withell, 2013). Designers must respond to these challenges using both objective and subjective, quantitative ...
    • Practice-led Doctoral Research and the Nature of Immersive Methods

      Mortensen Steagall, M; Ings, W (Anhembi Morumbi University, 2018)
      Practice-led research enables art and design practitioners approaches to discovering, applying and communicating original knowledge that have direct implications for their practice. Since the 1980s, internationally, the ...
    • Prelude: Desiccations, the darkness of light's sweep

      O'Connor, MT (AUT University, 2010)
      In ‘The “Mechanics of Fluids’ Irigaray closes with a dis/location of a partial exile that exiles the ruling symbolic — a feminine language that ex-ists somewhere beyond comprehension. And to which in other parts of This ...
    • Previous Enrolments. Drawing as Collective Formation

      Douglas, C (Interstices, 2009)
      This paper explores the proposition that architectural drawing can be analysed as a collective formation, in a sense derived from sociologist Gabriel Tarde, who wrote of collective formations like crowds that individual ...
    • Provocative coincidences: the question as style's dissimulating face - writing beyond the aporias of the subject

      O'Connor, M (AUT University, 2006)
      Jacques Derrida’s text, Spurs: The Styles of Nietzsche is an interrogation of aspects of Nietzsche’s writings in reference to the question of “Woman.” And, we should not forget the complexity of engagements with quotation ...
    • Pur: desiccation of light's sweep

      Jackson, ML (University College London, 2011)
      In discussing Pierre Klossowski’s writings on Sade, Jane Gallop engages with what she cites as a “whirling quid pro quo” of turnings, which she nominates under the term “tergiversations” from the Latin vertere, “to turn” ...
    • Radical gestures: time’s matter for architecture

      Jackson, ML (Studies in Material Thinking Journal, 2011)
      Confronting the conservative in architecture is a timely and necessary agenda, a confrontation that aims to explore and expose the complex of forces that constitute the discipline, profession and teaching agencies of ...
    • Re/materialising design education futures

      Young, A; Bill, A; de Freitas, N (School of Art and Design, Faculty of Design & Creative Technologies, Auckland University of Technology, 2014)
      No abstract.
    • The Recalibration of a Design Studio Curriculum During COVID–19 in Aotearoa

      Grieve, F; Ellis, M (2021)
      This article presents the impact COVID–19 had on a first-year communication design curricula revitalisation to progress students from a secondary level standards-based criterion to a tertiary culture predicated on active ...
    • ReDress: Reducing Textile Waste Through Component Reuse

      Fraser, K (The University of South Australia (UniSA), 2015)
      Textile products are everywhere, from covering our bodies to populating our homes and workplaces. Is it unsurprising then that millions of tons of textiles are ending up in waste? This paper critically reflects on a 2009 ...
    • Reflections on Digital Image in Contemporary Times

      Mortensen Steagall, M (UFSCar, 2021)
      The image is carried out with a plurality of technological means and its representative growth has become a special advance in technology in recent years, which has allowed the production and transmission of data in a ...
    • Remote intimacies: technologies of the researching self

      Jackson, M (AUT University, 2007)
      The paper concerns how techne and praxis have undergone considerable change in meaning since Classical times. Techne is now primarily concerned with the means to production as an extension to or of the self. From the late ...
    • Renegotiating the Screenplay: Drawing As a Method for Narrative Development in a Short Film

      Ings, W (Intellect, 2021)
      This article considers a non-written form of screenplay. In so doing, it illustrates a trajectory of thinking where drawing methods were employed in the development of a cinematic narrative. These visual approaches replaced ...
    • Resonant Voices: The Poetic Register in Exegetical Writing for Creative Practice

      Ings, W (Intellect, 2021)
      Quality, exegetical writing can be constrained when students marginalize poetic ways of thinking and replace them with carefully edited accounts that reshape the role and nature of emotional response. In the pursuit of ...