• Provocative coincidences: the question as style's dissimulating face - writing beyond the aporias of the subject

      O'Connor, M (AUT University, 2006)
      Jacques Derrida’s text, Spurs: The Styles of Nietzsche is an interrogation of aspects of Nietzsche’s writings in reference to the question of “Woman.” And, we should not forget the complexity of engagements with quotation ...
    • Pur: desiccation of light's sweep

      Jackson, ML (University College London, 2011)
      In discussing Pierre Klossowski’s writings on Sade, Jane Gallop engages with what she cites as a “whirling quid pro quo” of turnings, which she nominates under the term “tergiversations” from the Latin vertere, “to turn” ...
    • Radical gestures: time’s matter for architecture

      Jackson, ML (Studies in Material Thinking Journal, 2011)
      Confronting the conservative in architecture is a timely and necessary agenda, a confrontation that aims to explore and expose the complex of forces that constitute the discipline, profession and teaching agencies of ...
    • Re/materialising design education futures

      Young, A; Bill, A; de Freitas, N (School of Art and Design, Faculty of Design & Creative Technologies, Auckland University of Technology, 2014)
      No abstract.
    • ReDress: Reducing Textile Waste Through Component Reuse

      Fraser, K (The University of South Australia (UniSA), 2015)
      Textile products are everywhere, from covering our bodies to populating our homes and workplaces. Is it unsurprising then that millions of tons of textiles are ending up in waste? This paper critically reflects on a 2009 ...
    • Remote intimacies: technologies of the researching self

      Jackson, M (AUT University, 2007)
      The paper concerns how techne and praxis have undergone considerable change in meaning since Classical times. Techne is now primarily concerned with the means to production as an extension to or of the self. From the late ...
    • Renegotiating the Screenplay: Drawing As a Method for Narrative Development in a Short Film

      Ings, W (Intellect, 2021)
      This article considers a non-written form of screenplay. In so doing, it illustrates a trajectory of thinking where drawing methods were employed in the development of a cinematic narrative. These visual approaches replaced ...
    • Resonant Voices: The Poetic Register in Exegetical Writing for Creative Practice

      Ings, W (Intellect, 2021)
      Quality, exegetical writing can be constrained when students marginalize poetic ways of thinking and replace them with carefully edited accounts that reshape the role and nature of emotional response. In the pursuit of ...
    • Restless containers: thinking interior space – across cultures

      Engels-Schwarzpaul, A.-Chr. (Enigma: He Aupiki, 2011)
      In Innenraum denken (Thinking Interior Space), a section in the first volume of his Spheres trilogy (1998, 1999b, 2004), German philosopher Peter Sloterdijk describes human relations as being akin to containers that ...
    • Revolutions per minute

      Cullen, P (EyeContact, 2010)
      Six sculptures forming a part of my ongoing r/p/m project. With the exception of one work none had previously been exhibited. Chartwell collection purchased two of the sculptures from this exhibition.
    • Scale As the Representation of an Idea, the Dream of Architecture and the Unravelling of a Surface

      Hedges, S (enigma : he aupiki, Auckland, 2010)
      This paper is an investigation into the issue of the drawn scale and fragmented phantasia. The paper follows Italo Calvino’s notions of the instability of scale with the representations of phantasia that are revealed in ...
    • Scale – Time – Complexity: engaging, entangling, and communicating ecology

      Jamieson, N; Denton, A; Reay, S (International Symposium on Electronic Art (ISEA), 2012)
      This project proposes a forum for discussion that questions how we engage with our ecology. The panel will be framed within an acknowledgment of scale, time, and complexity as an entry point into a conversation about our ...
    • Scholarship & connoisseurship symbiosis in postgraduate design education

      Yap, BL (DesignEd Asia Conference Secretariat, The Hong Kong Polytechnic University, 2013)
      The past two decades have witnessed design activities morphing from designing “posters and toasters”, towards strategic planning, system integration, innovation, and social transformation. Probably, no other discipline in ...
    • Security, preservation, enhancement

      Jackson, ML (Australasian Society for Continental Philosophy (ASCP), 2012)
      In an interview, “The Return of Morality,” Michel Foucault candidly suggests the extraordinary influence of Nietzsche and Heidegger on his thinking. Moreover, it is precisely reading them together that was the genuine ...
    • Seismic stories

      Robertson, N (The Australian Centre for the Moving Image, 2006)
      Today, I will speak of the dead and so I acknowledge nga mate, those who have gone before. This is dedicated to my schoolmates and the other Kawerau kids mentioned today who have passed away. Uncle Tasman - The Trembling ...
    • Shadowy Figures and Strange Interiors: The Optician’s Waiting Room

      Hedges, S (UCD School of Art History and Cultural Policy, 2016)
      The waiting room can be imagined as a frequently visited place, a place to loiter, sit or perhaps stand, walk and converse. A transitional point before entering or moving to another in which no actual movements of the ...
    • Silence and forgetting

      Engels-Schwarzpaul, A.-Chr.; Robertson, N (AUT University, 2006)
      No abstract.
    • Silvering (Slowly). Augmentation, Age, and Mattering

      Douglas, C; Gallagher, S; O'Hara, E; Patel, R; Tapuni, M (Architecture Art and Design Research (AADR), 2020)
      Silvering (slowly) was a group show at St Paul St Gallery in Auckland, NZ, 9–13 September, 2019. It drew together threads from our independent research trajectories as a response to IDEA Journal’s questions around augmentation ...
    • Sites for contemporary Gothic

      Piatti-Farnell, L (Aeternum, 2014)
      No abstract.
    • SkiNZ "Patience": personal narratives of identity within gay leather culture

      Austin, L (Common Ground, 2014)
      Image dominant cultural coding plays an important role in how we perceive culture. This exists in many areas including, but not limited to advertising, education, news, and popular art, etc. I would argue that the majority ...