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dc.contributor.advisorThomson, Andy
dc.contributor.advisorJervis, Ian
dc.contributor.authorDoblanovic, Ekarasa Mara
dc.date.accessioned2015-03-03T20:08:42Z
dc.date.available2015-03-03T20:08:42Z
dc.date.copyright2014
dc.date.created2015
dc.identifier.urihttp://hdl.handle.net/10292/8443
dc.description.abstractThis visual arts research project aims to investigate colour and composition. The interest relies in how an image that incorporates three-dimensional aspects emerges through interaction between monochromatic and modular components that are deployed within an expanded field of painting; that is to say, within a field of activity which deconstructs the frame of painting and explores colour, surface and plastic values, in a spatial context. The study aims to investigate colour and its manifestations; particularly in it’s potential to generate affective responses. The project’s main interest arises from a question of how the image in art emerges from visual-material relationships, and, then transcends the bounds of the painted surface into pure sensation. The approach taken engages interaction between the formal and the playful, between rational planning and contingency, within sites of visual and spatial potentiality where intuition, chance and improvised response generate unique configurations.en_NZ
dc.language.isoenen_NZ
dc.publisherAuckland University of Technology
dc.subjectPaintingen_NZ
dc.subjectColouren_NZ
dc.subjectProvisionalen_NZ
dc.subjectMonochromeen_NZ
dc.subjectGestalten_NZ
dc.subjectObjecthooden_NZ
dc.subjectModularen_NZ
dc.titleColour Action: an exploration of values and shifting modes in paintingen_NZ
dc.typeThesis
thesis.degree.grantorAuckland University of Technology
thesis.degree.grantorAuckland University of Technology
thesis.degree.levelMasters Theses
thesis.degree.nameMaster of Art and Designen_NZ
thesis.degree.discipline
dc.rights.accessrightsOpenAccess
dc.date.updated2015-03-03T09:00:07Z


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