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dc.contributor.advisorJansen, Dieneke
dc.contributor.authorGrinter, Keith
dc.date.accessioned2010-03-11T03:26:02Z
dc.date.available2010-03-11T03:26:02Z
dc.date.copyright2009
dc.date.issued2010-03-11T03:26:02Z
dc.identifier.urihttp://hdl.handle.net/10292/823
dc.description.abstractThis project attempts to translate my experience of the everyday street for the viewer; to reveal my experience of walking and looking through drawing. The everyday is an elusive and slippery subject that has been used for various and sometimes radical agendas by many writers and artists in the last two centuries. It is seen as having potential for finding the authenticity that is lacking in other spheres of human activity. However, there is an inherent contradiction for the artist engaged with the everyday in that, by definition, the mundane is barely noticed yet it can swiftly become extraordinary when examined closely. This project uses a toolbox of everyday tactics, processes and methods to explore and devise appropriate modes of representing the everyday street, while taking this contradiction into account.
dc.language.isoenen
dc.publisherAuckland University of Technology
dc.subjectSculpture
dc.subjectDrawing
dc.subjectEveryday
dc.subjectPhenomenology
dc.subjectWalking
dc.subjectWood
dc.titleThe shed project
dc.typeThesis
thesis.degree.grantorAuckland University of Technology
thesis.degree.levelMasters Theses
thesis.degree.nameMaster of Art and Design
dc.rights.accessrightsOpenAccess


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