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dc.contributor.advisorRedmond, Monique
dc.contributor.advisorAmundsen, Fiona
dc.contributor.authorCarter, Cathy
dc.date.accessioned2013-11-25T02:06:09Z
dc.date.available2013-11-25T02:06:09Z
dc.date.copyright2013
dc.date.created2013
dc.date.issued2013-11-25
dc.identifier.urihttp://hdl.handle.net/10292/5978
dc.description.abstractThis project explores the potential of the art encounter and how it can connect the viewer to interior feelings and imaginative associations to form a visceral, psychologically compelling experience. It experiments with a multi-sensory approach using photography, moving image and installation to investigate seeing as experience rather than solely observation. The investigation draws on work made from the artist’s immersive encounters with bodies of water. This research is theoretically framed via the ideas of Deleuze and Guattari in particular their notions of ‘becoming’, ‘smooth space’ and ‘affects’. Its central question asks if and how an imaginative transformation occurs as a result of an art encounter so as to lose the self – even for a moment – to open up new possibilities around a potential heightened awareness of the fluidity of life.en_NZ
dc.language.isoenen_NZ
dc.publisherAuckland University of Technology
dc.subjectImmersiveen_NZ
dc.subjectSubmergeden_NZ
dc.subjectSensationen_NZ
dc.subjectAffecten_NZ
dc.subjectPhotographyen_NZ
dc.subjectMoving imageen_NZ
dc.subjectInstallationen_NZ
dc.subjectEcologyen_NZ
dc.subjectDeleuzeen_NZ
dc.titleImmersion and emergenceen_NZ
dc.typeThesis
thesis.degree.grantorAuckland University of Technology
thesis.degree.levelMasters Theses
thesis.degree.nameMaster of Art and Designen_NZ
thesis.degree.discipline
dc.rights.accessrightsOpenAccess
dc.date.updated2013-11-24T23:42:31Z


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