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dc.contributor.advisorThomson, Andy
dc.contributor.advisorAmundsen, Fiona
dc.contributor.advisorJervis, Ian
dc.contributor.authorPrisk, Joe
dc.date.accessioned2013-11-25T01:24:18Z
dc.date.available2013-11-25T01:24:18Z
dc.date.copyright2013
dc.date.created2013
dc.date.issued2013-11-25
dc.identifier.urihttp://hdl.handle.net/10292/5976
dc.description.abstractIMG: seeing as feeling, explores painting for its capacity to act directly on our nervous system. With a focus on eluding attachments of text, narrative and generalizing concept, this project aims to facilitate an encounter in which the paintings are primarily experienced as images. In making these images, the roles of artist and spectator are interchanged in order to clear the accretion of signs that flood into the reading. Cleared of signification, the work opens up the potential for the spectator to encounter the images unmediated through their previous experience.en_NZ
dc.language.isoenen_NZ
dc.publisherAuckland University of Technology
dc.subjectSensationen_NZ
dc.subjectPaintingen_NZ
dc.subjectAbstractionen_NZ
dc.subjectArten_NZ
dc.subjectColouren_NZ
dc.titleIMG: seeing as feelingen_NZ
dc.typeThesis
thesis.degree.grantorAuckland University of Technology
thesis.degree.levelMasters Theses
thesis.degree.nameMaster of Art and Designen_NZ
thesis.degree.discipline
dc.rights.accessrightsOpenAccess
dc.date.updated2013-11-23T20:19:16Z


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