• Double movement: an exploration of the interaction between live and digital dancer, sharing the physical space

      Chandler, Dannielle (Auckland University of Technology, 2012)
      Exploring the interaction between live and digital dancer I ask: how can digital technologies such as motion capture (mocap) and video projection be employed to enhance live dance performance? Using Practice as Research ...
    • Faceless body in performance

      Killeen-Chance, Zahra (Auckland University of Technology, 2015)
      Faceless Body in Performance is a practice-led research project in live and digital performance. There are two series of solo performances, Breath of Air and Black Glove, which explore choreographic procedures that can ...
    • How Does a Facilitator’s Perspective of Cultural Intelligence Influence Chinese Sport and Recreation Participation?

      Lok, Sheryne (Auckland University of Technology, 2019)
      In 2013, one in four individuals in Auckland were of Asian ethnicity. By 2038, it is predicted one in three people will be of Asian ethnicity (Statistics New Zealand, 2015). With this growing cultural diversity, changes ...
    • The Politics of Dreaming

      Wilson, Alexa (Auckland University of Technology, 2020)
      The Politics of Dreaming as a practice-based research project asks: How might an inquiry into “political dreaming” manifest within my performance-video-based activist art practice? The political dream infers collective ...
    • A Warming Inhale, Ecology and Capitalism in the Site of the Body

      Gilson, Geoff (Auckland University of Technology, 2017)
      Is my art anything? Is my politics nothing? This exegesis plays with ideas found in somatic research, literature on ecology and capitalism, activism and performance; it acknowledges theoretical research, bodywork and ...