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dc.contributor.advisorRedmond, Monique
dc.contributor.advisorJervis, Ian
dc.contributor.authorRoche, Linda
dc.date.accessioned2009-01-28T21:26:30Z
dc.date.available2009-01-28T21:26:30Z
dc.date.copyright2008
dc.date.issued2009-01-28T21:26:30Z
dc.identifier.urihttp://hdl.handle.net/10292/469
dc.description.abstractThis studio-based project explores a method of working that assigns agency to paint and process within the medium of painting. Underpinning this exploration is the notion that process driven making could potentially pose as a per formative event. Choreographed yet contingent, the practice investigates the relationship between the potentiality inherent within media and the extent to which this is affected by temporal/ external factors in the determining of outcome. A dialogue between the intentional and the contingent is initiated through a systematic approach that involves manipulation of the constituent elements of paint and the implementation of procedure and protocols as a means to activate conditions of possibility. Central to the research concerns are issues surrounding the ability of media to articulate itself, determine its own temporality and of process and content to operate conterminously. The images produced evidence this investigation as both enquiry and consequence.
dc.language.isoenen_US
dc.publisherAuckland University of Technology
dc.subjectPainting
dc.subjectProcess
dc.subjectSystems
dc.subjectMateriality
dc.subjectPerformativity
dc.subjectIntentionality
dc.titleTheatre of painting: a structural exploration of the forming of an image through paint
dc.typeThesis
thesis.degree.grantorAuckland University of Technology
thesis.degree.levelMasters Theses
thesis.degree.nameMaster of Arts in Art and Design
dc.rights.accessrightsOpenAccess


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