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dc.contributor.advisorRedmond, Monique
dc.contributor.advisorde Freitas, Nancy
dc.contributor.authorLatimer, Christine
dc.date.accessioned2009-01-15T04:04:55Z
dc.date.available2009-01-15T04:04:55Z
dc.date.copyright2008
dc.date.issued2009-01-15T04:04:55Z
dc.identifier.urihttp://hdl.handle.net/10292/456
dc.description.abstractThis thesis explores the idea of a liminal space, as being dreamlike, suspended in time and physically unlocatable. It questions and exploits the boundary between abstraction and figuration in painting. This investigation has been considered from a subjective viewpoint allowing a distancing of space to illuminate new perceptions and experiences through the language of painting. The project has sought to explore the relationship between the natural world and seeing, to deepen and emphasize the other worldliness of an in-between space. This third space has been evoked by a process of abstracting pictorial content, juxtaposition of elements, colour and composition. The thesis is constituted of practice-based 80%, accompanied by an exegesis 20%.
dc.language.isoenen_US
dc.publisherAuckland University of Technology
dc.subjectElusivity of the liminal
dc.subjectAspects of the impression
dc.subjectDiscordant colour
dc.subjectThe in-between
dc.subjectSensed via glimpses
dc.subjectImagined sites
dc.titleThe invisible view: Betwixt and between
dc.typeThesis
thesis.degree.grantorAuckland University of Technology
thesis.degree.levelMasters Theses
thesis.degree.nameMaster of Art and Design
dc.rights.accessrightsOpenAccess


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