Show simple item record

dc.contributor.advisorHamon, Jan
dc.contributor.authorWalker, Susan
dc.date.accessioned2008-06-18T04:30:09Z
dc.date.available2008-06-18T04:30:09Z
dc.date.copyright2008
dc.date.issued2008-06-18T04:30:09Z
dc.identifier.urihttp://hdl.handle.net/10292/372
dc.description.abstractThe purpose and underlying motivation for this project was to examine the procedure of garment construction methods, by specifically choosing to abandon traditional rules and standards that are associated with mass production. I chose to explore domestic hand-craft made by women in New Zealand in their domestic situation, focusing on hand-stitched techniques from the past reflecting a nostalgic value which potentially contributed to the garment’s construction process. The project sought to utilize the re-using of materials by incorporating previously made hand-craft; and looked at the remaking of second-hand garments by means of deconstruction and reconstruction. Traditional hand-craft, in this context, refers to the use of craft forms not governed by principles of efficiency, mass production or technology, allowing the garments to contain unique ‘one of a kind’ hand-made qualities. My studio practice specifically focused on exploring the relationship between hand-craft and garment construction, by researching their application and integration into the garment’s structure, along with disrupting the orderly traditional production process. I was not focusing on the finished garment’s design. The project provided an opportunity to refocus my attention on the hand-made, as I perceived that the skills required to produce these were being extinguished by modern lifestyles. Exploration promoted new discoveries by exposing the construction process and revealing unpredicted combinations. The project explored these ideas, resulting in a range of women’s garments that revealed, as part of their construction, hand-work which offered a modern variation of nostalgia. This project comprised of 80% practical work and will be accompanied by an exegesis with a value of 20%.
dc.language.isoenen_US
dc.publisherAuckland University of Technology
dc.subjectGarment construction
dc.subjectHand-craft
dc.subjectWoman's fashion
dc.subjectTraditional clothing construction
dc.titleResurgence
dc.typeThesis
thesis.degree.grantorAuckland University of Technology
thesis.degree.levelMasters Theses
thesis.degree.nameMaster of Art and Design
dc.rights.accessrightsOpenAccess


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record